Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · IFFI · Review Pescador (2025) ‘IFFI’ Movie Review: A Meditative and Magical Tale Set on the Coasts and Jungles of Costa Rica Shivam Pota December 13, 2025December 16, 2025
Film Festivals · Review Flophouse America (2025) ‘DOC NYC’ Documentary Review: An Unfiltered Visceral Look into America’s Housing Crisis Akash Deshpande December 6, 2025December 17, 2025
Film Festivals · Review My Mother’s Wedding (2023) ‘WIFF’ Movie Review: A Great Actress Makes an Enjoyable Directorial Debut Andrew Kidd November 30, 2025December 1, 2025
Featured · Film Festivals · Review Arrest the Midwife (2025) ‘DOC NYC’ Documentary Review: A Critical but Moving Illustration of Present-Day Threats to Reproductive Rights Akash Deshpande November 28, 2025December 1, 2025
Featured · Film Festivals · IFFI · Review Atropia (2025) ‘IFFI’ Movie Review: A Sharp Premise Undone by a Wandering Narrative Utsha Sarkar November 24, 2025November 25, 2025
Featured · Film Festivals · IFFI · Review Woman and Child (2025) ‘IFFI’ Movie Review: A Mother’s Love and Anguish Over Lost Child and Navigating Pain Utsha Sarkar November 24, 2025November 25, 2025
Featured · ReviewThe Piano Accident (2025) Movie Review: A Razor-Sharp Satire about Fame in the Age of Social MediaDecember 21, 2025 Akash Deshpande
Featured · ReviewThe Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological CrisesDecember 21, 2025 Akash Deshpande
Featured · ReviewAvatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative BankruptcyDecember 19, 2025 Julian Malandruccolo
The Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological Crises
Avatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative Bankruptcy
Berlinale · Film Festivals · Review The Girl and the Spider [2021]: ‘Berlinale’ Review – A powerfully choreographed exploration of alienation Shikhar Verma March 10, 2021
Berlinale · Film Festivals · Review Come Here [2021]: ‘Berlinale’ Review – Vague Thai diversion explores cinema that denies a definition Shikhar Verma March 9, 2021
Berlinale · Film Festivals · Review From Where They Stood [2021]: ‘Berlinale’ Review – A moving document of the Holocaust revealed through photographs Santanu Das March 9, 2021
Films This Week · Review Boss Level [2021] Review: A Future Cult Classic Maxance Vincent April 18, 2021
Review Father [2020] Review – An Understated Drama of Silence and Quiet Despair Arun Kumar May 9, 2021
Review 1956 Central Travancore (2019) : A Hunt for Masculine Confidence and its Futility Ashwani Kumar June 24, 2021
Berlinale · Film Festivals · Review The Fam [2021]: ‘Berlinale’ Review – A mercurial coming-of-age portrait of a group of teenage girls at a care facility Santanu Das March 7, 2021
Berlinale · Film Festivals · Review Censor [2021]: ‘Berlinale’ Review – An uneven homage to video-nasty and the aftermath of violent proceedings Shikhar Verma March 7, 2021
Film Festivals · Review Joyful Mystery [2021]: ‘IFFK’ Review – A Moving Romantic Comedy About the Culture of Quarrels Shashwat Sisodiya March 7, 2021
![The Girl and the Spider [2021]: ‘Berlinale’ Review – A powerfully choreographed exploration of alienation](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/The-Girl-and-the-Spider-1-highonfilms-768x463.jpg)
![Come Here [2021]: ‘Berlinale’ Review – Vague Thai diversion explores cinema that denies a definition](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Come-Here-1-highonfims-768x576.jpg)
![From Where They Stood [2021]: ‘Berlinale’ Review – A moving document of the Holocaust revealed through photographs](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/From-Where-they-stood-1-highonfilms-768x460.jpg)
![Boss Level [2021] Review: A Future Cult Classic](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Boss-Level-highonfilms-768x444.jpeg)
![Father [2020] Review – An Understated Drama of Silence and Quiet Despair](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Father-2020-768x432.jpg)
![The Fam [2021]: ‘Berlinale’ Review – A mercurial coming-of-age portrait of a group of teenage girls at a care facility](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/The-Fam-1-highonfilms-768x402.jpg)
![Censor [2021]: ‘Berlinale’ Review – An uneven homage to video-nasty and the aftermath of violent proceedings](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Censor-Berlinale-highonfilms-2-768x432.jpg)
![Joyful Mystery [2021]: ‘IFFK’ Review – A Moving Romantic Comedy About the Culture of Quarrels](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/SanthoshathinteOnnamRahasyam_screenshot_1200x800-768x512.jpg)
High On Films
