Featured · Films This Week · Review Dhadak 2 (2025) Movie Review: An adaptation that doesn’t water down caste-based discrimination in favour of telling a love story Shikhar Verma August 7, 2025
Featured · Films This Week · Review Omniscient Reader: The Prophecy (2025) Movie Review: An uninspired and self-indulgent mess that fails to carve an identity of its own Shikhar Verma July 31, 2025
Films This Week · Review Saiyaara (2025) Movie Review: A Somewhat Sincere Love Ballad Peppered With Familiar Mohit Suri-Isms Shikhar Verma July 24, 2025
Fantasia · Featured · Film Festivals · Review Foreigner (2025) ‘Fantasia’ Movie Review: A Slight Genre Affair that Feels Like a Cross Between ‘Mean Girls’ and ‘Get Out’ Akash Deshpande August 1, 2025July 29, 2025
Fantasia · Featured · Film Festivals · Review Sham (2025) ‘Fantasia’ Movie Review: Takashi Miike’s Rashomon-Riff-Turned-Witch-Hunt Struggles To Make Its Case In Court Julian Malandruccolo July 31, 2025July 31, 2025
Featured · Film Festivals · Review Outcry (Bidad, 2025) ‘Karlovy Vary’ Movie Review: Iranian Dissident Drama Rings Out Loud Debanjan Dhar July 30, 2025July 30, 2025
Featured · Film Festivals · Review Better Go Mad In The Wild (2025) ‘Karlovy Vary’ Movie Review: Miro Remo’s Stunningly Hybrid Doc On Czech Twins Mines Magic In The Mundane Debanjan Dhar July 29, 2025July 29, 2025
Fantasia · Film Festivals · Review Anything That Moves (2025) ‘Fantasia’ Movie Review: Alex Phillips’ Erotic Thriller Zigzags Pointlessly Sans Any Edge Debanjan Dhar July 28, 2025July 30, 2025
Fantasia · Featured · Film Festivals · Review Hellcat (2025) ‘Fantasia’ Movie Review: A Sharply Directed Road Movie that could’ve Used Better Horror Writing Shashwat Sisodiya July 26, 2025July 26, 2025
Featured · ReviewWeapons (2025) Movie Review: A Sharp, Twisted Attack On Isolation and IgnoranceAugust 7, 2025 Liam Gaughan
Featured · ReviewThe Home (2025) Movie Review: Pete Davidson Takes on The Final Girl Archetype August 6, 2025 Aja Haymore
Featured · ReviewTo Kill a Wolf (2024) Movie Review: A Gloomy and Gentle Ode to Quiet ResilienceAugust 4, 2025 Akash Deshpande
Dhadak 2 (2025) Movie Review: An adaptation that doesn’t water down caste-based discrimination in favour of telling a love story
Film Festivals · MAMI · Review Eeb Allay Ooo! [2019]: ‘MAMI’ Review: An authentic study of the working class through intelligent filmmaking. Ashwani Kumar December 12, 2019
Great Films · Review The Tale of Zatoichi [1962] Review – The Magnificent First Chapter Featuring the Illustrious Fictional Swordsman Arun Kumar February 11, 2021
Film Festivals · MAMI · Review Babyteeth [2019]: ‘MAMI’ Review – A Hysterical Dodge to Conventional Cancer-Tropes Shikhar Verma December 13, 2019
Review Downton Abbey (2019) Review – A nostalgia evoking epilogue of the epilogue Reubyn Coutinho July 10, 2024
Films This Week · Review Panipat (2019) Review: Indeed A Great Betrayal Ishita Mishra December 9, 2019
Great Films · Review Mafioso [1962] Review – A Mesmerizing Cultural Comedy with a Bitter Edge Arun Kumar January 1, 2020
Film Festivals · IFFI · Review Stupid Young Heart [2019] ‘IFFI’ Review- A Surprisingly Mature Take on the Immaturity Akash Deshpande July 27, 2020
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![Mafioso [1962] Review – A Mesmerizing Cultural Comedy with a Bitter Edge](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2019/12/Mafioso-1962-768x576.jpeg)
![Ken Russell Craziness: Savage Messiah [1972]](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2019/12/savage-768x576.jpg)
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