In the Mouth of Madness : Twisted. Trippy. Terrifying.
A clever, riveting & mind-bending trip from The Horror Master that exquisitely incorporates elements from the works of both Stephen King & H.P. Lovecraft into a fresh, fascinating & frustrating delight, the final instalment in John Carpenter's Apocalypse Trilogy is a severely underrated psychological horror that will someday have the respect it truly deserves.
The third & final instalment in John Carpenter’s Apocalypse Trilogy (preceded by The Thing & Prince of Darkness), In the Mouth of Madness blurs the lines between reality & fiction to deliver a psychological shock that’s twisted, trippy & terrifying in more ways than one, and it still remains one of the most underrated works of his career.
Directed by John Carpenter (best known for Assault on Precinct 13 & Halloween), the film relies on our fear of the unknown to deliver the scares and packs a finely tuned & cleverly structured narrative that skilfully utilises the horror elements. It is bizarre, bewildering & unpredictable throughout while downright unsettling at other times, and the final reveal brings the story full circle.
The script heavily references the works of H.P. Lovecraft and also includes nods to Stephen King’s novels. The plot incorporates elements from both authors’ works, resulting in a story that can be summed up as a King narrative with Lovecraftian themes. The complex nature of the premise is as intriguing as it is suspenseful but Carpenter makes sure the film packs some good old-school scares as well.
Infusing an otherworldly vibe to its imagery are the expertly designed & detailed set pieces while the sparsely populated remote setting where a big chunk of plot unfurls further contributes to its mystical aura. The images are sleek, polished & more refined than usually is the case with Carpenter films but then it also makes the details strike out with clarity, including the violent, gory & disturbing ones.
Thanks to smart editing, the mystery is retained until the end while every twist n turn adds to its enigmatic structure. Pacing is spot-on, for its 95 minutes runtime is never felt. Also worthy of mention are its practical effects that have aged rather well over the years and though carefully utilised, they do leave an effectiveness of their own. And also complementing the visuals is its unsettling soundtrack by the horror maestro himself.
Coming to the performances, In the Mouth of Madness features a reliable cast in Sam Neill, Julie Carmen, Jürgen Prochnow & Charlton Heston, with Neill stealing the show with a performance that only gets more unstable as plot progresses. His character isn’t difficult to relate to, for his confusion mirrors that of our own. The remaining cast provide good support in their respective roles. However, Carmen’s input is lousy & way over-the-top.
On an overall scale, In the Mouth of Madness is a clever, riveting & mind-bending trip that presents John Carpenter in control of his craft and offers an experience that’s as warped as it is demented. There are moments that get repetitive at times but its grip on viewers’ attention is firm throughout. Its emphasis on atmosphere over gore imparts it with an endurance that, in addition to its smooth camerawork, gives the entire picture an ageless appeal. Fresh, fascinating & frustrating, In the Mouth of Madness will one day have the respect it truly deserves.