Evergreen List · Featured 15 Great Malayalam Movies to Stream on Prime Video High on Films October 21, 2025 Evergreen List · Featured 10 Greatest ‘Best International Feature Oscar’ Winners from the 21st Century Julian Malandruccolo October 20, 2025 BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025 Evergreen Lists See More… 15 Great Malayalam Movies to Stream on Prime VideoOctober 21, 2025 High on Films10 Greatest ‘Best International Feature Oscar’ Winners from the 21st CenturyOctober 20, 2025 Julian MalandruccoloAll 4 Chloe Zhao Movies (including “Hamnet”), RankedOctober 20, 2025 Liam Gaughan Reviews See More… Review Luderdale (2025) Movie Review: A bland crime thriller that messes up its own inconsistent design Shikhar Verma October 20, 2025 BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025 Featured · Review The Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative Inserts Liam Gaughan October 20, 2025 Featured · Review The Summer Book (2025) Movie Review: Quiet Islands, Lingering Absence, and the Gift of Stillness Bipasha Bhattacharyya October 20, 2025 Featured · Review How to Shoot a Ghost (2025) Short Film Review: A Tender Humanist Exploration of the Anxieties of Boundless Rejection Akash Deshpande October 19, 2025 Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025 Essays See More… Column Why The Woman in Cabin 10 Sinks as a Netflix Thriller Naveed Zahir October 21, 2025 Column Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ Dan Flattery October 18, 2025 Column The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’ Bipasha Bhattacharyya October 17, 2025 All Posts Cannes · Film Festivals · ReviewThe Employer and the Employee [2021]: ‘Cannes’ Review – A Modest, Bleak Portrait of Class Privilege and IndifferenceRead More The Employer and the Employee [2021]: ‘Cannes’ Review – A Modest, Bleak Portrait of Class Privilege and IndifferenceMUBI · ReviewFirst Cow [2020] Review: Cerebral Food flick talks Cake & CapitalismRead More First Cow [2020] Review: Cerebral Food flick talks Cake & CapitalismArticle · EssayNeedle Drop in Martin Scorsese’s The IrishmanRead More Needle Drop in Martin Scorsese’s The IrishmanReviewLimbo [2020] Review – An Uneven yet Captivating Dramedy about Asylum-SeekersRead More Limbo [2020] Review – An Uneven yet Captivating Dramedy about Asylum-SeekersReviewTrust [2021] Review: A formulaic infidelity tale about rich, white AmericansRead More Trust [2021] Review: A formulaic infidelity tale about rich, white AmericansFilm Festivals · NBFF · ReviewAyar [2021]: ‘NBFF’ Review – Bold attempt at Pandemic infused cocktail of meta and narrative filmmakingRead More Ayar [2021]: ‘NBFF’ Review – Bold attempt at Pandemic infused cocktail of meta and narrative filmmakingReviewMeat me Halfway [2021] Review – An insightful documentary about reducetarian habit of food consumptionRead More Meat me Halfway [2021] Review – An insightful documentary about reducetarian habit of food consumptionArticle · EssayCrossover adaptations for Indian audienceRead More Crossover adaptations for Indian audienceReviewThe Man Who Stole the Sun [1979] Review – A Singular & Highly Ambitious Black ComedyRead More The Man Who Stole the Sun [1979] Review – A Singular & Highly Ambitious Black ComedyEssayWhy “Hungama Hai Kyon Barpa” is a Near-Perfect Tribute to Its InspirationRead More Why “Hungama Hai Kyon Barpa” is a Near-Perfect Tribute to Its Inspiration Posts pagination Previous Page 1 … 1,047 1,048 1,049 1,050 1,051 1,052 1,053 … 1,268 Next Page Categories ReviewsEvergreen ListNewsStreamingFilm FestivalColumn Follow Us Instagram LinkedIn X Facebook YouTube Spotify Pinterest
Evergreen List · Featured 15 Great Malayalam Movies to Stream on Prime Video High on Films October 21, 2025
Evergreen List · Featured 10 Greatest ‘Best International Feature Oscar’ Winners from the 21st Century Julian Malandruccolo October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025
10 Greatest ‘Best International Feature Oscar’ Winners from the 21st CenturyOctober 20, 2025 Julian Malandruccolo
Review Luderdale (2025) Movie Review: A bland crime thriller that messes up its own inconsistent design Shikhar Verma October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025
Featured · Review The Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative Inserts Liam Gaughan October 20, 2025
Featured · Review The Summer Book (2025) Movie Review: Quiet Islands, Lingering Absence, and the Gift of Stillness Bipasha Bhattacharyya October 20, 2025
Featured · Review How to Shoot a Ghost (2025) Short Film Review: A Tender Humanist Exploration of the Anxieties of Boundless Rejection Akash Deshpande October 19, 2025
Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025
Column Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ Dan Flattery October 18, 2025
Column The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’ Bipasha Bhattacharyya October 17, 2025
Cannes · Film Festivals · ReviewThe Employer and the Employee [2021]: ‘Cannes’ Review – A Modest, Bleak Portrait of Class Privilege and IndifferenceRead More The Employer and the Employee [2021]: ‘Cannes’ Review – A Modest, Bleak Portrait of Class Privilege and Indifference
MUBI · ReviewFirst Cow [2020] Review: Cerebral Food flick talks Cake & CapitalismRead More First Cow [2020] Review: Cerebral Food flick talks Cake & Capitalism
Article · EssayNeedle Drop in Martin Scorsese’s The IrishmanRead More Needle Drop in Martin Scorsese’s The Irishman
ReviewLimbo [2020] Review – An Uneven yet Captivating Dramedy about Asylum-SeekersRead More Limbo [2020] Review – An Uneven yet Captivating Dramedy about Asylum-Seekers
ReviewTrust [2021] Review: A formulaic infidelity tale about rich, white AmericansRead More Trust [2021] Review: A formulaic infidelity tale about rich, white Americans
Film Festivals · NBFF · ReviewAyar [2021]: ‘NBFF’ Review – Bold attempt at Pandemic infused cocktail of meta and narrative filmmakingRead More Ayar [2021]: ‘NBFF’ Review – Bold attempt at Pandemic infused cocktail of meta and narrative filmmaking
ReviewMeat me Halfway [2021] Review – An insightful documentary about reducetarian habit of food consumptionRead More Meat me Halfway [2021] Review – An insightful documentary about reducetarian habit of food consumption
Article · EssayCrossover adaptations for Indian audienceRead More Crossover adaptations for Indian audience
ReviewThe Man Who Stole the Sun [1979] Review – A Singular & Highly Ambitious Black ComedyRead More The Man Who Stole the Sun [1979] Review – A Singular & Highly Ambitious Black Comedy
EssayWhy “Hungama Hai Kyon Barpa” is a Near-Perfect Tribute to Its InspirationRead More Why “Hungama Hai Kyon Barpa” is a Near-Perfect Tribute to Its Inspiration
