Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025 Featured · Review It Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential Horror Harihara Srinivasan.G December 18, 2025 Featured · Netflix · Review · Streaming Now The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant Monish Upadhyay December 18, 2025 Evergreen Lists See More… 10 Best Tamil Movies of 2025December 18, 2025 Arun KumarThe 9 Best Adam Sandler MoviesDecember 18, 2025 Liam GaughanEvery Rian Johnson Film (including ‘Wake Up Dead Man’) Ranked Worst To BestDecember 18, 2025 Liam Gaughan Reviews See More… Featured · Review It Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential Horror Harihara Srinivasan.G December 18, 2025 Featured · Netflix · Review · Streaming Now The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant Monish Upadhyay December 18, 2025 Featured · Review I Swear (2025) Movie Review: A Thoughtful and Palpable Exploration of the Depths of Shame Buoyed by Bouts of Humor Akash Deshpande December 18, 2025 Featured · Review Boys Go to Jupiter (2025) Movie Review: A Weird Little Charmer that Encapsulates Present-Day Anxieties about Capitalism Akash Deshpande December 18, 2025 Review · Streaming Now · Zee5 Global Saali Mohabbat (2025) Review: Another Disappointment Wrapped in Domestic Noir Soumalya Chatterjee December 17, 2025 Featured · Review The Housemaid (2025) Movie Review: A Camp Thriller Falls Uncomfortably Between Satire and Melodrama Liam Gaughan December 4, 2025 Essays See More… Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 18, 2025 Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025 Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 12, 2025 All Posts Article · Essay40 Years of Francis Ford Coppola’s Apocalypse NowRead More 40 Years of Francis Ford Coppola’s Apocalypse NowFilms This Week · ReviewAnnabelle Comes Home [2019] Review: More Fun Than FrighteningRead More Annabelle Comes Home [2019] Review: More Fun Than FrighteningFilm Festivals · Japan Cuts · ReviewA Step Forward [2019]: ‘Japan Cuts’ Review – Life is Heavy for the JapaneseRead More A Step Forward [2019]: ‘Japan Cuts’ Review – Life is Heavy for the JapaneseReviewMehsampur (2018) Review: A Dysfunctional Celebration of DysfunctionRead More Mehsampur (2018) Review: A Dysfunctional Celebration of DysfunctionFantasia · Film Festivals · ReviewHarpoon [2019]: ‘Fantasia’ Review – A self-aware Boat-MovieRead More Harpoon [2019]: ‘Fantasia’ Review – A self-aware Boat-MovieGreat Films · ReviewLone Star [1996] Review – A Powerfully Tangled Drama on the Onerous Burden of Shared Personal HistoryRead More Lone Star [1996] Review – A Powerfully Tangled Drama on the Onerous Burden of Shared Personal HistoryReviewRafiki [2018] Review: A Gorgeously Shot but Formulaic Queer DramaRead More Rafiki [2018] Review: A Gorgeously Shot but Formulaic Queer DramaFilms This Week · ReviewGirlfriend [2019] Review: The Unseen Zeitgeist of the Contemporary RomanceRead More Girlfriend [2019] Review: The Unseen Zeitgeist of the Contemporary RomanceFantasia · Film Festivals · Review8 [2019]: ‘Fantasia’ Review – Chilling, Terrifying and Flawed Folk HorrorRead More 8 [2019]: ‘Fantasia’ Review – Chilling, Terrifying and Flawed Folk HorrorNews · ReportMeryl Streep To Be Honored At Toronto International Film FestivalRead More Meryl Streep To Be Honored At Toronto International Film Festival Posts pagination Previous Page 1 … 1,179 1,180 1,181 1,182 1,183 1,184 1,185 … 1,304 Next Page Categories ReviewsEvergreen ListNewsStreamingFilm FestivalColumn Follow Us Instagram LinkedIn X Facebook YouTube Spotify Pinterest
Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025
Featured · Review It Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential Horror Harihara Srinivasan.G December 18, 2025
Featured · Netflix · Review · Streaming Now The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant Monish Upadhyay December 18, 2025
Every Rian Johnson Film (including ‘Wake Up Dead Man’) Ranked Worst To BestDecember 18, 2025 Liam Gaughan
Featured · Review It Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential Horror Harihara Srinivasan.G December 18, 2025
Featured · Netflix · Review · Streaming Now The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant Monish Upadhyay December 18, 2025
Featured · Review I Swear (2025) Movie Review: A Thoughtful and Palpable Exploration of the Depths of Shame Buoyed by Bouts of Humor Akash Deshpande December 18, 2025
Featured · Review Boys Go to Jupiter (2025) Movie Review: A Weird Little Charmer that Encapsulates Present-Day Anxieties about Capitalism Akash Deshpande December 18, 2025
Review · Streaming Now · Zee5 Global Saali Mohabbat (2025) Review: Another Disappointment Wrapped in Domestic Noir Soumalya Chatterjee December 17, 2025
Featured · Review The Housemaid (2025) Movie Review: A Camp Thriller Falls Uncomfortably Between Satire and Melodrama Liam Gaughan December 4, 2025
Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 18, 2025
Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025
Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 12, 2025
Article · Essay40 Years of Francis Ford Coppola’s Apocalypse NowRead More 40 Years of Francis Ford Coppola’s Apocalypse Now
Films This Week · ReviewAnnabelle Comes Home [2019] Review: More Fun Than FrighteningRead More Annabelle Comes Home [2019] Review: More Fun Than Frightening
Film Festivals · Japan Cuts · ReviewA Step Forward [2019]: ‘Japan Cuts’ Review – Life is Heavy for the JapaneseRead More A Step Forward [2019]: ‘Japan Cuts’ Review – Life is Heavy for the Japanese
ReviewMehsampur (2018) Review: A Dysfunctional Celebration of DysfunctionRead More Mehsampur (2018) Review: A Dysfunctional Celebration of Dysfunction
Fantasia · Film Festivals · ReviewHarpoon [2019]: ‘Fantasia’ Review – A self-aware Boat-MovieRead More Harpoon [2019]: ‘Fantasia’ Review – A self-aware Boat-Movie
Great Films · ReviewLone Star [1996] Review – A Powerfully Tangled Drama on the Onerous Burden of Shared Personal HistoryRead More Lone Star [1996] Review – A Powerfully Tangled Drama on the Onerous Burden of Shared Personal History
ReviewRafiki [2018] Review: A Gorgeously Shot but Formulaic Queer DramaRead More Rafiki [2018] Review: A Gorgeously Shot but Formulaic Queer Drama
Films This Week · ReviewGirlfriend [2019] Review: The Unseen Zeitgeist of the Contemporary RomanceRead More Girlfriend [2019] Review: The Unseen Zeitgeist of the Contemporary Romance
Fantasia · Film Festivals · Review8 [2019]: ‘Fantasia’ Review – Chilling, Terrifying and Flawed Folk HorrorRead More 8 [2019]: ‘Fantasia’ Review – Chilling, Terrifying and Flawed Folk Horror
News · ReportMeryl Streep To Be Honored At Toronto International Film FestivalRead More Meryl Streep To Be Honored At Toronto International Film Festival
