Film Festivals · NYAFF · Review Grown-Ups (2022): ‘NYAFF’ Review: An Insidious Blow to the Core of Clichés Sourima Chakraborty July 26, 2022
Film Festivals · NYAFF · Review Lesson in Murder [2022]: ‘NYAFF’ Review – A Tense and Chilling Lesson in Trauma and Serial Killing Ahendrila Goswami July 22, 2022
Article · Essay Wheel Of Fortune and Fantasy [2021] – A Complex Dish of Desire, Identity & Self-exploration served piping hot Pranjal Singh March 4, 2022
Article · Essay Silence & Violence – How the Bank Robbery Scene in ‘Hana-Bi’ Discretely Disrupts Order, Whilst Maintaining its Facade High on Films February 4, 2022
Article · Essay Culture of the Mad, Sad and Crass: The Asian Filmmakers Who Owned It High on Films February 3, 2022
Netflix · Review Asakusa Kid [2021] Review – Takeshi Kitano biopic works more as sum of individual parts Amartya Acharya February 27, 2026
Film Festivals · Review Intimate Stranger [2021]: ‘Tokyo International Film Festival’ Review – A Psychological Horror With Mommy Issues Pramit Chatterjee November 7, 2021
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![Wheel Of Fortune and Fantasy [2021] – A Complex Dish of Desire, Identity & Self-exploration served piping hot](https://www.highonfilms.com/wp-content/uploads/2022/03/Wheel-Of-Fortune-and-Fantasy-Part-2-768x432.jpg)
![Asakusa Kid [2021] Review – Takeshi Kitano biopic works more as sum of individual parts](https://www.highonfilms.com/wp-content/uploads/2021/12/Asakusa-Kid-2-768x432.jpg)
![Intimate Stranger [2021]: ‘Tokyo International Film Festival’ Review – A Psychological Horror With Mommy Issues](https://www.highonfilms.com/wp-content/uploads/2021/11/Intimate-Stranger-1-highonfilms-768x432.jpg)