Nasumice [2018] Review: A Beautifully shot film that never rises above its ideas
Directed by the Bosnian cinematographer Caleb Bordeau and nominated for Best Film award at the Bosnian Film Festival last year,…
Stuff and Dough [2001] Review – Fresh Oppurtunities, Same Dead-Ends
Cristi Puiu’s Stuff and Dough (‘Marfa si banii’, 2001) is often credited as the film that kicked off the Romanian…
Oslo, August 31st [2011] Review – A Deeply Sympathetic Character Study of a Former Drug Addict
In the oceanic library of world cinema, there are quite a few films that have delved into the inner turmoil…
Last Year At Marienbad [1961] : Pygmalion and Galatea at Marienbad
Pygmalion and Galatea at Marienbad. Meaning of art in Alain Resnais’s “Last year at Marienbad” The 1960s were a very…
New Order [2020] Review – Another Level of Manipulation
The films with a direct political theme are not from today and for that very reason, they had to reinvent…
Aurora Borealis (2020) Review: Caught Within The Legacy of A Star
Aurora Borealis (2020) Review: A few weeks ago when actor Soumitra Chattopadhyay was hospitalized after he tested covid positive, an…
IRL [2020] Review – A clickbaity romance that floats but only occationally sticks
The world of dating has literally changed in the last couple of years. You can now click, type, and land…
Lost in Translation [2003] Review: A Doomed Romance
In the provinces of Japan, a pale pink flower – Cherry Blossom, blooms for mere two weeks and then withers…