The 3rd Eye 2 Netflix Review [2019] – A Rehashed Narrative that falls Flat
‘The 3rd Eye 2’ (Mata Batin 2, Inner Eyes 2) – is a follow up to Indonesian supernatural thriller ‘The…
#Gadhvi (He Thought He was Gandhi) [2019]: ‘LIFF’ Review – A meandering social-satire
We live in an age where social media has the power to solve problems faster than real-life actions. We have…
Reason (Vivek) [2019]: ‘LIFF’ Review – A Brilliant Discourse on the Pernicious Rise of Religious Extremism in India
Anand Patwardhan has consistently made outstanding documentaries on some of the burning issues plaguing Indian society. His works have exposed…
Arishadvarga [2019] ‘LIFF’ Review : A Whodunit Thriller About Its Characters More Than The Mystery
According to the Indian philosophy, Arishadvarga (Shadripu) are the six enemies of mind, which are- lust, anger, greed, attachment, pride,…
Roobha [2019] ‘LIFF’ Review: A Living, Breathing Agony Of The Societal Trappings
Lenin M. Sivan’s LGBTQ drama ‘Roobha’ is quite reminiscent of Wong-Kar-Wai’s style, especially during its quiet, understated moments. After all,…
Irréversible [2002]: About Time and All That It Destroys
Gasper Noe’s erotic melodrama is a classic vengeance story spun into cinema. It’s so blatantly violent in its approach that…
Bulbul Can Sing [2019] ‘LIFF’ Review – The Discernible mellow Voice in peculiar Social noise
Bulbul Can Sing, a coming-of-age docufiction by the rising voice in the Indian independent film arena, Rima Das, provides the…
May the Devil Take You Netflix [2018] Review: Another Middling Horror Entry
From the director of Killers, Headshot & The Night Comes for Us, May the Devil Take You (Netflix) packs some genuinely…