Evergreen [2019] Review: A Poignant Depiction of Love and Relationship
When a film is primarily set around two people and in one solitary location, it tests the depth of writing…
House of Hummingbird (2019) ‘Tribeca’ Review: Growth and Resilience through Self-created Shells
Bora Kim’s House of Hummingbird (벌새) won big at the Tribeca Film Festival. The film is so emotionally potent that…
Hutatma (ZEE5 Series) Review: Minds Behind the Blood and Rage
Loosely based on Meena Deshpande’s novel by the same name, Hutatma clearly succeeds in taut storytelling with a clear idea of what it wants to say. The narrative is so engrossing that you never get bored with the characters.
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Flesh Out (2019) ‘Tribeca’ review: A Half-Baked Social Drama
Beauty has always been subjected to controversies on how it is perceived. The measures to determine have changed rapidly over…
“What is dead may never die”: Theon, a Greyjoy and a Stark
You are a good man. Thank you. While most people are commending Arya Stark for her bravery and heroism as…
May the 4th: An Interview with Han Solo and soon-to-be Obi-Wan Kenobi Actor, Jamie Costa
Star Wars has been around for over forty years now and whilst The Last Jedi certainly divided fans, the franchise…
The Film Industry’s Gender Parity, Ending Unsubstantiated Discrimination
Although there’s been much fuss made about gender discrimination in the film industry, with pledges made by many film festivals to ensure gender parity, it should be blindly obvious that asymmetries in workplace diversity does not automatically mean active discrimination.
This Is Not Berlin [2019]: ‘Tribeca’ Review: The Outsiders
Hari Sama’s new film This is not Berlin examines a particular period in Mexico’s society from the perspective of teenagers….