Cow [2022] MUBI Review : A Brutal and Brilliant Triumph from Andrea Arnold
[vc_row][vc_column][vc_column_text] In Cow (2022), which premiered at the Cannes Film Festival last year and is streaming on MUBI, British Auteur…
Love and Leashes [2022] Netflix Review: Subverts Genre Expectations with a Kinky Twist
The rom-com genre sees the biggest volumes on OTT platforms. Netflix, as a streaming service, is expected to present exciting…
Gehraiyaan (2022) Review: About The Complex Impulses and Motivations of a Ethically Conflicted Youth
When I saw the trailer of the film Gehraiyaan (2022) for the first time, I was sure of two things;…
Anne+: The Film [2022] Netflix Review: An Important but Unfocused Mainstream Queer Drama
There are certain stories in cinema that are fit for certain mediums. Of course, a solid short film by a…
Into The Wind (2022) Netflix Review: Felt Like A Music Video Edit Hobbling Its Way Through Cliches
Over the past few years, Netflix has planted its stake in a less ambitious place: teen romantics. This week, we…
The Unmaking of A College [2022] Review – An Important Documentary About Preserving And Promoting Education
Let’s start this review on a low key weird note. In a video on Jake Paul’s diss track on teachers,…
Don’t Look Up (2021): A Parody of American Apathy
Beyond ecocritical questions, the final scene of Don’t Look Up (2021) runs deep, critiquing simultaneously the crisis of values in…
Mahaan [2022] ‘Prime Video’ Review – Calling It ‘Ridiculous’ is an Understatement
Karthik Subbaraj is quote-unquote ‘the stylish filmmaker of Tamil cinema’. But nothing can be purely stylistic, at least within the…