Montana [2017]: ‘TIFF’ Review
Montana [2017]: ‘TIFF’ Review After being away for years, Effi (Noa Biron) returns to her hometown Acre, following the death…
What Will People Say [2017]: ‘TIFF’ Review
What Will People Say [2017] – A Poetic and Perceptive Examination of Female Oppression Anchored by an excellent lead performance…
Scarred Hearts [2017]: Shenanigans of a Profound Soul
Based on the writings of Max Bletcher, Radu Jude’s Scarred Hearts is about 20-year old Emanuel, played by Lucian Teodor…
Ana, Mon Amour [2017]: ‘TIFF’ Review
Ana, Mon Amour [2017]: ‘TIFF’ Review The contemporary relationships that I happen to see around me are mostly built on…
Suleiman Mountain [2017]: ‘TIFF’ Review
Suleiman Mountain [2017]: ‘TIFF’ Review More than anything, Elizaveta Stishova’s debut feature “Suleiman Mountain” screeches at the vulnerability of human beings….
Tigre [2017]: ‘TIFF’ Review
Tigre [2017] – A Tale of Uneasy Reconciliation and Burgeoning Sexuality The New Argentine Cinema of the late 1990s and…
Only Lovers Left Alive [2013]: A Haunting & Hypnotic Mood Piece
Only Lovers Left Alive [2013]: An Aesthetic, Artistic & Visually Arresting Love Letter To Arts & Cultures Of Yesteryears. …
Mother [2017]: No gob left unsmacked in Jennifer Lawrence’s anxiety dream of horror and dismay
It’s a powerful enough word at the best of times, but the exclamation mark gives it that edge of delirium…