Reflection [2021]: ‘Venice’ Review – A Beautifully Shot Microcosmic Tale on Trauma & Violence
Ukrainian multi-hyphernate artist Valentyn Vasyanovych, the winner of Venice’s Orizzonti award for Atlantis (2019), once again returns to Venice Film…
Inexorable [2021]: ‘TIFF’ Review – Stoker Meets Misery In This French Thriller
There’s a lot of animosity towards all the remakes, sequels, reboots, and prequels that are being churned out by every…
Tughlaq Darbar [2021] Review: A political satire told through a unique hook
There is a singular form of pleasure in watching a movie and getting genuinely surprised as the main premise of…
Past, Present and Future in Aaron Sorkin’s Works
Where are we heading to? Ask Aaron Sorkin: When The Social Network was released, 11 years ago, many people were…
The Warm Embrace of CODA (2021), Which Renews Love For Music
CODA, or Child of Deaf Adult, is, a self-explanatory term. However, given the apparent uniqueness of the situation, awareness about…
Every James Wan Film, Ranked
Several films releasing on streaming services has ignited a heated debate about what exactly is cinema. Director Patty Jenkins went…
6 Films to watch if you Liked Kate on Netflix
Kate, starring Mary Elizabeth Winstead, is now streaming on Netflix. Produced by Hollywood’s quintessential action and stunt man David Leitch,…
NET [2021] Review – A Black Mirror-ish Attempt, Marred by Its Own Clunky Execution
NET Zee5 Review: Voyeurism had been prevalent throughout the history of humankind. The pleasure of watching another human being at…