Needle Drop in Martin Scorsese’s The Irishman
Needle Drop in Martin Scorsese’s The Irishman: There have been many examples of Martin Scorsese using the music he grew…
Limbo [2020] Review – An Uneven yet Captivating Dramedy about Asylum-Seekers
Scottish writer-director Ben Sharrock’s Limbo (2020) is a part deadpan comedy and part character study of an asylum-seeker. The refugees,…
Trust [2021] Review: A formulaic infidelity tale about rich, white Americans
This might be a personal qualm with the genre and not the right way to start a critic but I…
Ayar [2021]: ‘NBFF’ Review – Bold attempt at Pandemic infused cocktail of meta and narrative filmmaking
Floyd Russ’ Ayar, in its essence, diverges towards different branches of filmmaking; at first a little unfathomably, but not so…
Meat me Halfway [2021] Review – An insightful documentary about reducetarian habit of food consumption
Brian Kateman is the co-founder and president of the Reducetarian Foundation. His documentary “Meat me Halfway” (co-directed by Journey Wade-Hak)…
Crossover adaptations for Indian audience
Crossover adaptations of movies are nothing new in Hindi cinema but the trend is largely limited to action and thriller…
The Man Who Stole the Sun [1979] Review – A Singular & Highly Ambitious Black Comedy
Kazuhiko Hasegawa’s The Man Who Stole the Sun (Taiyo wo nusunda otoko, 1979) is riddled with the anarchic spirit of…
Why “Hungama Hai Kyon Barpa” is a Near-Perfect Tribute to Its Inspiration
Why Hungama Hai Kyon Barpa is a Near-Perfect Tribute to Its Inspiration: When Musafir Ali (played by Manoj Bajpayee) walks…