Weekly Roundup: “Titane,” “The Guilty” & “No Time to Die”
In this week’s weekly roundup, I will be talking about the three recent releases that are both big and small…
Paka (River of Blood) [2021]: ‘TIFF’ Review – A Tale of Cyclic Revenge that Reflects Potential
A river is a symbol of life metaphorically. As an ecological component, it has enabled the birth and cause of…
Titane [2021] Review – A horrifically tender story about love, rebirth, violence and family
Every once in a while there comes a movie that changes everything. From how you look at a story to…
Lift (2021) Hotstar Review: A Jumbled Mess, This ‘Lift’ Moves Only Downwards
At its onset, Tamil horror film Lift (2021), starring actor Kavin, streaming on Disney+ Hotstar, has a premise that is…
Black as Night [2021] Review : The second installment in Welcome to the Blumhouse is a big vampirish disappointment
“That was the summer I got breasts and fought vampires,” recollects Shawna (Asjha Cooper), in Maritte Lee Go’s overwrought and…
Shiddat [2021] Review – Dated Bollywood Romance is a Mediocre Excuse in Disguise of Filmmaking
Hear me out. When you fall in love, you should commit to it with passion. If this weren’t true, why…
American Night [2021] Review – A Confusing Cocktail of Art and Life, Lacking in Punch
Perhaps the best way to describe American Night – a neo-noir film directed by Alessio Jim Della Vella, also known…
The Many Saints Of Newark (2021) Review – The Sopranos Prequel Is Its Own Worst Enemy Because Of Its Own Identity
When The Sopranos cut to black in 2006, it felt like a conscious decision by creator David Chase, to stop…