Nobody Has to Know [2021]: ‘TIFF’ Review – A Melancholic Look At Finding Love To Counter Loneliness
One of the most under-explored aspects of modern movies and TV shows is geography. You might’ve hated studying about it…
The Middle Man [2021]: ‘TIFF’ Review – Coen-esque black comedy falls short of its potential
Here’s something interesting – Bent Hamer’s The Middle Man is a Dutch, Norwegian and German co-production, starring actors who are…
Reflection [2021]: ‘Venice’ Review – A Beautifully Shot Microcosmic Tale on Trauma & Violence
Ukrainian multi-hyphernate artist Valentyn Vasyanovych, the winner of Venice’s Orizzonti award for Atlantis (2019), once again returns to Venice Film…
Inexorable [2021]: ‘TIFF’ Review – Stoker Meets Misery In This French Thriller
There’s a lot of animosity towards all the remakes, sequels, reboots, and prequels that are being churned out by every…
Tughlaq Darbar [2021] Review: A political satire told through a unique hook
There is a singular form of pleasure in watching a movie and getting genuinely surprised as the main premise of…
Past, Present and Future in Aaron Sorkin’s Works
Where are we heading to? Ask Aaron Sorkin: When The Social Network was released, 11 years ago, many people were…
The Warm Embrace of CODA (2021), Which Renews Love For Music
CODA, or Child of Deaf Adult, is, a self-explanatory term. However, given the apparent uniqueness of the situation, awareness about…
Every James Wan Film, Ranked
Several films releasing on streaming services has ignited a heated debate about what exactly is cinema. Director Patty Jenkins went…