The Irishman (2019): MAMI Review – Scorsese’s Return to the Crime Genre is an Epic Cinematic Experience
Based on Charles Brandt’s 2004 memoir titled ‘I Heard you paint houses’, The Irishman (2019) is a biopic about the…
Interview with Deepak Venkatesha – Writer of “Laal Kaptaan”
With Laal Kaptaan’s release, Deepak Venkatesha is coming up with the period action drama. Having worked on the script in…
In the Shadow of the Moon Netflix (2019) Review: Jim Mickle’s Weakest
In the Shadow of the Moon is now streaming on Netflix From the director of Stake Land, We Are What…
Beanpole [2019] ‘MAMI’ Review – An Intense post-War drama from Women’s perspective
Inspired by Svetlana Alexievich’s “The Unwomanly Face of War: An Oral History of Women in World War II”, Beanpole (Дылда)…
Marianne (Season 1) Netflix Review – A Decent Jump Scare-Filled Horror Series
Netflix original French horror series, Marianne (Season 1) received the stamp of approval from popular horror novelist Stephen King which…
Just Like That (Aise Hee) [2019]: ‘MAMI’ Review – The Unattractive Reality of Small-Town Existence
Chantal Akerman, during one of her confrontation with the media, tore apart the allegations that were mounting about the dull…
Midsommar [2019]: ‘MAMI’ Review – A blissfully warm nightmare
First things first – If you haven’t seen Midsommar (to be screened at MAMI soon) stop reading this right now….
Greener Grass [2019]: ‘MAMI’ Review – A Surreal Satire on the Displeasure of Politeness
In the very first sequence of director duo Jocelyn DeBoer & Dawn Luebbe’s ‘Greener Grass,’ a soccer mom gives her…








