The Return [2018]: ‘NYAFF’ Review
The Return [2018]: ‘NYAFF’ Review The Return’s premiere this year at the New York Film Festival – the Korean film’s…
The Looming Storm [2018]: ‘NYAFF’ Review
The Looming Storm [2018] – A Slow-Burn Procedural with Potent Social Commentary The rapidly industrialized provincial towns, the anonymity…
Peeping Tom Review [1960]: A Fascinating Journey Into the Mind of a Serial Killer
An interesting journey into the mind of a serial killer that also touches on themes of voyeurism, loneliness, childhood trauma,…
End of Summer [2018]: ‘NYAFF’ Review
End of Summer [2018]: ‘NYAFF’ Review Debutant director Zhou Quan’s End Of Summer is undoubtedly the unadulterated version of what’s…
The Bold, the Corrupt, and the Beautiful [2018]: ‘NYAFF’ Review
The Bold, the Corrupt, and the Beautiful [2018]: ‘NYAFF’ Review The upside of The Bold, the Corrupt, and the Beautiful…
1987: When the Day Comes [2018]: Fantasia Film Festival Review
1987: When the Day Comes [2018] – An Engrossing and Well-Acted Political Thriller From the 1980 Gwangju uprising to the…
The Age of Blood [2018]: ‘NYAFF’ Review
The Age of Blood [2018]: Dubiety of unanswered questions Before reading here’s a fair cautionary message for all – delving…
Old Beast [2018]: ‘NYAFF’ Review
Old Beast [2018] – The Harsh Predicament of a Flawed Individual and a Dreary Landscape Zhou Ziyang’s impressive debut feature…