Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ October 18, 2025 Dan Flattery
The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’October 17, 2025 Bipasha Bhattacharyya
Essay One Battle After Another’s Fight in the Graveyard of the Western Charlie Gaskell October 15, 2025October 15, 2025
Essay Control, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948) Bella Madge October 15, 2025October 15, 2025
Column Hong Kong in Transit: Love, Loss, and Belonging in ‘Chungking Express’ Sayantani Datta October 14, 2025October 20, 2025
Column Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ Dan Flattery October 18, 2025October 18, 2025
Column The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’ Bipasha Bhattacharyya October 17, 2025October 17, 2025
EssaySexual Violence and the Objectification of Women in Hindi CinemaFebruary 18, 2025 Santosh Kumar Mamgain
ColumnWho is the Mysterious Janitor? Unraveling Identity and Loneliness in ‘I’m Thinking of Ending Things’ (2020)February 17, 2025 Abirbhab Maitra
Column‘Wicked’ and the Jim Crow Era: Unmasking the Parallels of Prejudice and PowerFebruary 14, 2025 Aja Haymore
ColumnNeo-Kolkata Triptych? A Cinematic Inquiry into a Decaying MetropolisFebruary 13, 2025 Soumalya Chatterjee
Column‘The Wages of Fear’ and ‘Sorcerer’: A Comparison of Different PerspectivesFebruary 10, 2025 Abirbhab Maitra
EssayRobert Eggers’ ‘Nosferatu’ (2024): Changes and Continuity in Vampiric TraditionsJanuary 20, 2025 Kalpa Jyoti Bhuyan
ColumnRelationships in a Small Town in Nuri Bilge Ceylan’s ‘Kasaba’ and ‘Clouds of May’January 19, 2025 Abirbhab Maitra
ColumnA Tribute to David Lynch: An Impenetrable Visionary Who Lit Up The Darkest Recesses of Our MindsJanuary 17, 2025 Julian Malandruccolo
ColumnWhen the Divine Order Embraces Sacred Chaos in Edward Berger’s ‘Conclave’January 14, 2025 Akhila Krishnan
ColumnThe Sweet Ache of Youth: On the Tangled Thrills of ‘Licorice Pizza’January 13, 2025 Tanay Shrotriy
ColumnA Poetic Portraiture of The Working-Class Women in Payal Kapadia’s ‘All We Imagine as Light’January 8, 2025 Soumalya Chatterjee
ColumnStreams of Consequence: Ryusuke Hamaguchi’s Meditation on the Environmental Loss in ‘Evil Does Not Exist’January 6, 2025 Shubham Sharma
ColumnWhy ‘Blink Twice’ (2024) is a Bold but Flawed Exploration of Power, Revenge, and Feminism? January 4, 2025 Ritesh Sharma
ColumnCalling the Spade on Motherhood: 7 Watches and a Read to Cope With the Realities of Being a New MotherJanuary 2, 2025 Nikita Naiknavare
Essay When Auteurism meets Mythology: How Effective is The Killing of a Sacred Deer’s Rendition of Greek Allegory? Aadesh Gupta July 10, 2024
Essay Adulthood is Learning Vulnerability: An Analysis of Kiki’s Delivery Service (1989) Beatrice Gangi October 7, 2023
Essay Concept, Rhythm, and Horror: Oppenheimer as an Accumulation of Nolan’s Filmography Aadesh Gupta August 21, 2024
Essay Why is ‘The Black Cauldron’ Disney’s Missed Horror Masterpiece? Beatrice Gangi September 5, 2023
Essay Revelation as Paradox: Oppenheimer and the Criticality of Scientific Reason Shaswata Ray August 21, 2024
Essay Where the Crawdads Sing (2022): Embark On A Scenic Trip Into The Marshland With Kya Poonam Vaze August 31, 2023
High On Films