Stitched Souls: Identity and Emotion in Guillermo del Toro’s ‘Frankenstein’ (2025)December 1, 2025 Shivangi Thakur
Buddhadeb Dasgupta’s ‘Swapner Din’ and the Politics of Vanishing IdentitiesNovember 30, 2025 Gourab Saha
Radical Solidarities in Dan Trachtenberg’s ‘Predator: Badlands’: Posthuman Bonds at the Edge of the GalaxyNovember 26, 2025 Sourav Chatterjee
Essay Into the Heart of Darkness: A Trio of Hollywood’s Beautiful Catastrophes Adam Page November 24, 2025November 25, 2025
Column The Physics of Grief in Clint Bentley’s ‘Train Dreams’ Ben Bogdan November 21, 2025November 24, 2025
Column Creating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake” Ahendrila Goswami November 20, 2025November 23, 2025
Column The Existential Horror Hidden in Eternity’s Rom-Com Glow Christopher Rhoten December 3, 2025December 3, 2025
Column Stitched Souls: Identity and Emotion in Guillermo del Toro’s ‘Frankenstein’ (2025) Shivangi Thakur December 1, 2025December 2, 2025
Column Blood in Eden: The Ideological Origins of Ryan Coogler’s ‘Sinners’ Dan Flattery December 1, 2025December 2, 2025
EssayPaul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic PictureMay 15, 2025 Hector Levya
ColumnThe Birth of the Blonde Femme Fatale of Cinema in Billy Wilder’s ‘Double Indemnity’May 11, 2025 Bharat Bhoite
ColumnThe Pearl Necklace in ‘When Life Gives You Tangerines’: An Ode to the Enduring Spirit of Mothers, Seen Through the Eyes of a Daughter —and One Day, a Mother HerselfMay 6, 2025 Sanjida Samrin Rahman
EssayThe Avenging Woman: The Politics and Aesthetics of Female Rage in Rape-Revenge Cinema May 5, 2025 Anju Devadas
ColumnHal Ashby’s Enduring Legacy: How ‘The Holdovers’ Echoes the Spirit of a 1970s Master April 30, 2025 Bharat Bhoite
Column‘Daredevil: Born Again’ as Political Parable – A Superhero Story in the Age of Authoritarianism April 29, 2025 Arijit Paul
ColumnFinding Beauty in the Absurd: An Existential Reading of ‘American Beauty’ (1999)April 29, 2025 Abirbhab Maitra
ColumnVishal Bhardwaj’s ‘Haider’: A Melancholic Symphony of Betrayal, Resistance, and RedemptionApril 28, 2025 Tapolabdha Dey
EssayUnpacking ‘A Minecraft’ Movie: Nostalgia, the Sad State of Modern Blockbusters and Corporate ConsolidationApril 28, 2025 Shivam Pota
EssaySuperboys Of Malegaon (2025): Faiza Ahmad Khan & Nasir Shaikh’s Cinephilic Legacy Finds Home In Bollywood & BeyondApril 24, 2025 Sakshi Salil Chavan
Column · Max · Streaming Now · TVHBO’s The Last of Us Dramatizes A Controversial Death From The Game, And It’s Just As BrutalApril 21, 2025 Debopriyaa Dutta
ColumnTranslating the Self Across Borders of Being in Mira Nair’s ‘The Namesake’April 14, 2025 Tapolabdha Dey
ColumnEchoes of a Life Fading into Silence in Avinash Arun’s ‘Three of Us’ (2023)April 8, 2025 Subhangi Biswas
ColumnIntimacy in The Digital Age: Spike Jonze’s “Her” as a Cinematic Mirror to our Technological Present April 8, 2025 Tapolabdha Dey
Essay Seeing Beyond the Sores: Unmasking Leprosy in the Malayalam Films Ashwamedham and Sarasayya Dr. Aparna Ajith January 23, 2024
Essay Transcendental Style as An Idea Of Being in the Filmography of Carlos Reygadas Maria Vatcharadze August 20, 2024
Essay Prem Pujari (1970) – Complicity of Dev Anand’s Stardom in the Construction of Toxic Nationalism and Patriarchal Rules Nikhil Sanghotra November 8, 2023
Essay The Trappings of Nostalgia: On Wooderson, Dazed and Confused, and the Cinema of Richard Linklater Aneesh Raikundalia July 30, 2025
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