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Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
Lost and Found: Revisiting ‘Kismet’ and the Roots of Indian Social MelodramaSeptember 14, 2025 Manas Banik
Column The North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural Missteps Santosh Kumar Mamgain September 6, 2025September 7, 2025
Column How Does Tarantino’s ‘Pulp Fiction’ (1994) Condemn American Nihilism? Georgia May September 5, 2025September 6, 2025
Column How Quentin Tarantino Subverts World War II Narratives through a Postmodern Lens in ‘Inglourious Basterds’? Abirbhab Maitra September 3, 2025September 3, 2025
Column The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and Culture Naveed Zahir September 14, 2025
Column Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” Subhankar Das September 14, 2025September 14, 2025
Column Our Girlhood Deserves Better Than ‘The Summer I Turned Pretty’ Prerna Chatterjee September 14, 2025September 14, 2025
ColumnFrom Cannes to the Commons: Why Fargeat’s ‘The Substance’ Reflects The Liberal Paralysis?November 30, 2024 Shubham Sharma
ColumnHow Prem Kumar’s ‘Meiyazhagan’ Offers a Heartfelt Journey of Rediscovery, Connection, and Healing?November 25, 2024 Sayan Dutta
ColumnA Perspective on Fate, Chance, and Meaningful Connections in ‘Serendipity’ (2001)November 22, 2024 Janani Vaiyapuri
ColumnThe Decline of Integrity in National Film Awards: Politics, Controversies, and Compromised ExcellenceNovember 21, 2024 Santosh Kumar Mamgain
ColumnDeath Becomes Her: How The OG ‘Substance’ Succeeds Where its Successor FaltersNovember 20, 2024 Jamie Carlstrand
ColumnThe Perfect Intersectional Gay Romance in ‘God’s Own Country’November 20, 2024 Ayrton-Lewis Avery
ColumnUnpacking the Horror: Intriguing Theories Surrounding ‘Longlegs’ (2024)November 5, 2024 Soumyajyoti Kar
ColumnChildren of Men: The Dystopian Nightmare That Mirrors Our World TodayNovember 4, 2024 Mohan Kumar
ColumnThe American (Joika, 2024): Relentless Pursuit of Identity and Belonging in the World of BalletOctober 27, 2024 Shinji Alizeh Majumder
Essay‘Girls Will Be Girls’ Is an Intimate Love Letter to Girlhood & Those Who Missed Out on TheirsOctober 25, 2024 Sakshi Salil Chavan
Column‘All We Imagine as Light’ (2024) and the Poetic Deconstruction of the ‘Indomitable Mumbai Spirit’ October 23, 2024 Akash Deshpande
ColumnFairy Folk is a Magical Realist Film that Explores Gender Roles, Sexuality, and MarriageOctober 22, 2024 Shivani Muralikrishna
ColumnWhy the Cult British Heist Film ‘The Italian Job’ is Still Worth Watching?October 15, 2024 Joséphine des Aulnois
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak”
Essay Why is ‘The Black Cauldron’ Disney’s Missed Horror Masterpiece? Beatrice Gangi September 5, 2023
Essay Revelation as Paradox: Oppenheimer and the Criticality of Scientific Reason Shaswata Ray August 21, 2024
Essay Where the Crawdads Sing (2022): Embark On A Scenic Trip Into The Marshland With Kya Poonam Vaze August 31, 2023
Essay American Prometheus: The Triumph of Oppenheimer’s (2023) Screenplay is in Exposing the Failure of Dr. Oppenheimer Ashwani Kumar March 11, 2024
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