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High On Films
How Haneke plays with the audience expectations in ‘Funny Games’
Article · Essay

How Haneke plays with the audience expectations in ‘Funny Games’

Shikhar Verma May 24, 2021

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Magnolia (1999) : An Epic Melodrama Somewhere Between Ingenuity And Insanity
Article · Essay

Magnolia (1999) : An Epic Melodrama Somewhere Between Ingenuity And Insanity

Shahim Sheikh June 2, 2021

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Akaler Sandhane (1980) : A Famine within A Famine
Article · Essay

Akaler Sandhane (1980) : A Famine within A Famine

Sayan Dutta February 13, 2022

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How “The 400 Blows” Deviates From Classical Conventions of Narration?
Article · Essay

How “The 400 Blows” Deviates From Classical Conventions of Narration?

High on Films May 20, 2021

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The Night Comes For Us (2018): Elevating the Indonesian Extreme Action Genre
Article · Essay

The Night Comes For Us (2018): Elevating the Indonesian Extreme Action Genre

High on Films May 18, 2021

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Anatomy of: Taxi Driver Scene – “Late for the Sky”
Article · Essay

Anatomy of: Taxi Driver Scene – “Late for the Sky”

High on Films February 27, 2023

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No Country For Old Men (2007): A Study of Human Duality
Article · Essay

No Country For Old Men (2007): A Study of Human Duality

Lokesh Ganesan May 14, 2021

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How Nayattu (2021) Is An Unrealistic and Misleading Anti-Dalit Movie
Article · Essay

How Nayattu (2021) Is An Unrealistic and Misleading Anti-Dalit Movie

Gokul KP June 13, 2021

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Cinema Against War
Article · Essay

Cinema Against War

Sayan Dutta February 13, 2022

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  • Film Festivals
    • Cannes
    • Berlinale
    • BFI London Film Festival
    • Fantasia
    • IFFI
    • Locarno
    • DIFF
    • MAMI
    • NYAFF
    • Sundance
    • Sydney Film Festival
    • TIFF
  • Reviews
    • In Theaters
  • Lists
  • Essays
    • Column
    • Interviews
  • Explainers
    • Streaming Now
  • News
  • Write For Us
  • HOF Games
    • High on Films Weekly Jigsaw
    • High on Films Weekly Crossword