What The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas March 23, 2026 Sree
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘If I Had Legs I’d Kick You’ and the Loneliness of Being a Mother Prapti Alam March 17, 2026March 19, 2026
Column A Žižekian Reading of ‘Assi’: Rape, Spectacle and Systemic Violence in Contemporary India Soumalya Chatterjee March 17, 2026March 19, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Column Treasure Planet, or the Refusal to Give Up on the Lost Guilherme Quireza March 26, 2026March 26, 2026
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
Article Even After 10 Years, Tamasha Still Pushes You To Write Your Own Myth Shikhar Verma December 23, 2025
Article · Essay The State of Modern Comedies – Solution I: Everything Is Terrible!- Playing Upon Expectations David Morgan Brown February 22, 2021
Article · Fan Theory Filmmakers need to learn Lynch and shut the fuck up David Morgan Brown February 21, 2021
Essay The State of Modern Comedies: Introduction II – Golden Globes Best Comedy? David Morgan Brown June 24, 2024
Article · Essay [Watch] Video Essay Exploring why “Ringu” is a relevant horror film in the era of clickbaits Topher Ames December 5, 2023
Article · Essay [Watch] Video Essay Exploring High and Low Art in Jean-Luc Godard’s Alphaville Topher Ames November 14, 2021