Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the SilencedJune 17, 2025 Ishani Routh
When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’June 17, 2025 Ajay Rahul Raja
The Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece June 16, 2025 Vaishnavi S
Can HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find OutJune 15, 2025 Ayan Dawn
Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (The Shepherdess and the Seven Songs, 2020)June 15, 2025 Sahil
Essay Popular Cinema in India: A Socio-Cultural Analysis of the Indian Cinema and Its Cinematic Tropes Santosh Kumar Mamgain June 7, 2025June 8, 2025
Column What ‘Havoc’ Tells Us About Losing the Feel in Filmmaking? Ritesh Sharma June 7, 2025June 7, 2025
Column Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the Silenced Ishani Routh June 17, 2025June 17, 2025
Column When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’ Ajay Rahul Raja June 17, 2025June 17, 2025
Column Can HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find Out Ayan Dawn June 15, 2025June 15, 2025
Article · EssayPhoenix (2014): “If I Do What You Tell Me, Will You Love Me?”July 14, 2021 Shahim Sheikh
Article · EssayYugant (1995) – Looking at Eco Feminism through the Prism of an Estranged MarriageJuly 12, 2021 Debanjan Dhar
Article · EssayDirectors From Parallel Cinema Entering Mainstream BollywoodJune 20, 2021 Devraj Kalsi
Article · EssayUnderstanding Charlie Kaufman’s I’m Thinking of Ending Things (2020)June 11, 2021 Mansi Arora
Article · EssayThe Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020)June 9, 2021 Krishnanunni Padinjassery
When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’
Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (The Shepherdess and the Seven Songs, 2020)
Article · Essay How Fearless Nadia Became One of The First Action Stars of Indian Cinema Parth Pant November 8, 2021
Article · Essay Mathilukal and Vidheyan: How Mammootty Captures the Opposite Ends of Hyper-Masculinity with His Layered Performances Akash Deshpande October 27, 2021
Article · Essay The Human Scale (2012): An Urban Planning Documentary That Questions City Design Priya Singh October 6, 2021
Article · Essay The Suicide Squad (2021): A Satire on America’s Advocacy of Violence for Peace & Need To Maintain Power Krishnanunni Padinjassery January 26, 2022
Article · Essay Under The Silver Lake (2018) and the Depth Superficiality of Hollywood Isabelle Cubas February 13, 2022
Article · Essay · Netflix · Review The Witch Wears Prada: Krysten Ritter’s Miranda Priestley-esque Witch Makes Nightbooks Special Atreyo Palit September 23, 2021
Article · Essay The Warm Embrace of CODA (2021), Which Renews Love For Music Atreyo Palit September 17, 2021
High On Films