Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Column · Netflix · Streaming Now“The Killer” Is A Remarkably Self-Aware Cinema Which Many of You Are Perceiving WrongNovember 16, 2023 Rohitavra Majumdar
EssayPrem Pujari (1970) – Complicity of Dev Anand’s Stardom in the Construction of Toxic Nationalism and Patriarchal RulesNovember 8, 2023 Nikhil Sanghotra
Column · JioHotstar · Streaming NowA Journey of Letting Go in Soumyak Kanti DeBiswas’ ‘The Daughter’October 31, 2023 Shivani Muralikrishna
ColumnMagical Realism, Family and the Big Screen: Lessons from Two Great MoviesOctober 31, 2023 Joséphine des Aulnois
EssayThe Trappings of Nostalgia: On Wooderson, Dazed and Confused, and the Cinema of Richard LinklaterOctober 19, 2023 Aneesh Raikundalia
ColumnThe Coast of Winding Clouds And The Cinema of Rain: Nagraj Manjule’s ‘Pavsacha Nibandh’October 12, 2023 Pritha Banerjee
ColumnJourneys through the Mist: A Brief Analysis of Theo Angelopoulos’ Landscape in the Mist (1988)October 8, 2023 Balachandran Chirammal
ColumnFrom Provoking Anger to Evoking Nationalism: The Alarming Evolution of Propaganda Films In Bollywood in the Past Few YearsOctober 4, 2023 Aryan Vyas
Column Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (2020) Sahil June 20, 2025
Article No Studio? No Problem. How Intizar Gasimov Turned Scrappy Filmmaking into Global Impact Jerry Horne June 26, 2025
Essay Popular Cinema in India: A Socio-Cultural Analysis of the Indian Cinema and Its Cinematic Tropes Santosh Kumar Mamgain August 4, 2025
Column Dreams on a Train: Psychoanalysis and the Subconscious Journey in Satyajit Ray’s ‘Nayak’ (1966) Shivani Muralikrishna June 17, 2025
Article · News “She Turned Him Down Four Times!” — Why Jodie Foster Keeps Saying No to Wes Anderson, Including The Phoenician Scheme Naveed Zahir June 6, 2025
Article · News “I Always Thought He Was MI6”: Ian McShane Reveals Winston’s Shadowy John Wick Backstory & How It Shapes Ballerina Naveed Zahir June 6, 2025
Article · News ‘Criminal Code’ Season 2: Everything You Need to Know About Netflix’s Brazilian Crime Thriller Naveed Zahir June 5, 2025