Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma December 29, 2025 Christopher Rhoten
Exploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023)December 25, 2025 Tara Mathur
The Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’December 24, 2025 Kabir Deb
Column When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated Films Santosh Kumar Mamgain December 21, 2025December 26, 2025
Essay God Has Left The Building: Religion in John Hillcoat’s ‘The Road’ Adam Page December 20, 2025December 25, 2025
Essay Where Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’ Nileena Sunil December 20, 2025December 25, 2025
Column Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten December 29, 2025December 30, 2025
Column Exploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023) Tara Mathur December 25, 2025December 28, 2025
Column The Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’ Kabir Deb December 24, 2025December 27, 2025
EssayWhere the Crawdads Sing (2022): Embark On A Scenic Trip Into The Marshland With KyaAugust 31, 2023 Poonam Vaze
ColumnHow the Depiction of Trauma Humanizes One Killer and Villainizes the Other in ‘Por Thozhil’?August 25, 2023 Pramila Tripathi
Column‘Taali’ (2023) Offers a Heart-Wrenching and Empowering Look into the Life of a Trans ActivistAugust 22, 2023 Srilekha Mitra
EssayAmerican Prometheus: The Triumph of Oppenheimer’s (2023) Screenplay is in Exposing the Failure of Dr. OppenheimerAugust 19, 2023 Ashwani Kumar
Column’Hiroshima Mon Amour’ is a Poignant Intermixture of History with Memories of Love, Loss, and SufferingAugust 18, 2023 Srilekha Mitra
Essay‘Elemental’ is a tender tale that cannot hide its Male Saviour Complex August 17, 2023 Deepshikha Deb
EssayHow ‘The Flash’ Resets DC Extended Universe To Make Way For Gunn’s DC Universe?August 11, 2023 Abhishek Sharma
ColumnPenetrating the Patriarchy and Exploring the (Lack of) Feminine in An Exercise In Discipline: Peel (1986) August 8, 2023 Pritha Banerjee
Essay · Fan Theory · Review Reading ‘Writer’ (2021) through a Marxist Lens Jeeva Pitchaimani March 2, 2022
Article · Essay Churuli (2021): A Transversal of Understanding Through the Debauchery of Language Krishnanunni Padinjassery February 15, 2022
Article · Essay Shardul Thakur Comes Out of the Closet: A Nuanced Portrayal of Queerness in Badhaai Do Ahendrila Goswami February 14, 2022
Article · Essay Blind Chance (1987): A Flurry of Missed Opportunities Amidst Turbulent Times Pranjal Singh February 9, 2022
Article · Essay Silence & Violence – How the Bank Robbery Scene in ‘Hana-Bi’ Discretely Disrupts Order, Whilst Maintaining its Facade High on Films February 4, 2022
Article · Essay 20 Years Of Harry Potter and The Sorcerer’s Stone: What Made The Wizarding World So Enchanting Aryan Vyas July 10, 2024
Article · Essay Culture of the Mad, Sad and Crass: The Asian Filmmakers Who Owned It High on Films February 3, 2022
Article · Essay A Ghibli-esque Journey: The Immersive Realism of Studio Ghibli High on Films January 26, 2022
Article · Essay Why A Hero (2021) is Farhadi’s Close-Up; An Analysis of Farhadi’s Filmmaking Mechanics! Ashwani Kumar January 24, 2022
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