Who Owns Nature? โJugnumaโ and the Politics of Ecological MemoryOctober 9, 2025 Prerna Chatterjee
Between Surnames and Silences: The Unflinching World of Neeraj Ghaywanโs โHomeboundโย (2025)October 4, 2025 Rhea Raj Shinde
The Last Frontier Is Us: What โEddingtonโ and โOne Battle After Anotherโ Say about Survival in the Current Global OrderOctober 3, 2025 Aryan Vyas
Summer of Superman: How James Gunnโs โSupermanโ (2025) Reminds Us of The Man of Tomorrowโs PowerOctober 2, 2025 Ollie Wheaton
Column A Humanistic Mirror to Indiaโs Fault Lines: Neeraj Ghaywanโs โHomeboundโ Shivani Muralikrishna October 2, 2025October 3, 2025
Essay The Poetics of Broken Hearts: Intimacy and Identity in โQueerโ Kabir Deb September 26, 2025September 26, 2025
Column How Did Zubeen Garg Become the Heartbeat of Our Generation Kalpa Jyoti Bhuyan September 26, 2025September 26, 2025
Column โKing & Conquerorโ and the Long Shadow of โGame of Thronesโย Ollie Wheaton October 9, 2025October 9, 2025
Column Who Owns Nature? โJugnumaโ and the Politics of Ecological Memory Prerna Chatterjee October 9, 2025October 9, 2025
Column Between Surnames and Silences: The Unflinching World of Neeraj Ghaywanโs โHomeboundโย (2025) Rhea Raj Shinde October 4, 2025October 7, 2025
ColumnWhy do all the Contemporary Villains Sound Like They’ve Read Camus?ย July 30, 2025 Bipasha Bhattacharyya
ColumnThe Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindanโs Pokkuveyil (1982, Twilight)July 30, 2025 Rugmini Dinu
EssayHaunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindanโs โChidambaramโ (1985)July 28, 2025 Anju Devadas
ColumnThe Horror of the Unseen: How the 1999 Movie โThe Blair Witch Projectโ Redefined FearJuly 24, 2025 Em Stonham
ColumnThrough the Lens of Love and Longing: Revisiting Kieลlowskiโs โA Short Film About LoveโJuly 21, 2025 Rugmini Dinu
ColumnโThe Ugly Stepsisterโ (2025) and the Cost of Becoming โBeautiful EnoughโJuly 21, 2025 Aja Haymore
ColumnWhen Horror Hurts: Violence, Realism, and Responsibility inย ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)ย July 20, 2025 Hannah John
ColumnHow Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s โThe Phoenician Schemeโย July 20, 2025 Gourab Saha
EssayLolitaโs Daughters: Innocence, Eroticism, And Cinematic Obsession With The NymphetJuly 19, 2025 Anju Devadas
ColumnChanging Terrain of Cinema from India and Achal Mishraโs โGamak GharโJuly 17, 2025 Anand Subhash Borse
EssayThe Fangs of Fear: Exploring Horror and Dread in ‘Jaws’ (1975)July 16, 2025 Krishnanunni Padinjassery
The Last Frontier Is Us: What โEddingtonโ and โOne Battle After Anotherโ Say about Survival in the Current Global Order
Essay Sexual Violence and the Objectification of Women in Hindi Cinema Santosh Kumar Mamgain March 8, 2025
Essay Robert Eggersโ โNosferatuโ (2024): Changes and Continuity in Vampiric Traditions Kalpa Jyoti Bhuyan March 2, 2025
Essay Sex, Power, and Representation: Analyzing Sean Baker’s ‘Anora’ Through Feminist and Auteur Lenses Ritesh Sharma March 2, 2025
Essay Watchmen: The Often-Overlooked Differences Between Zack Snyder’s Movie and Alan Moore’s Graphic Novel Mohan Kumar December 3, 2024
Essay โGirls Will Be Girlsโ Is an Intimate Love Letter to Girlhood & Those Who Missed Out on Theirs Sakshi Salil Chavan February 25, 2025
Essay โMelancholiaโ (2011) and the End of Everything: Exploring Depression, Despair, and the Human Condition Mohan Kumar October 3, 2024
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