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Column The Bridge to the Self: A Personal Journey Through Cinema Saba Tsabadze April 9, 2026April 10, 2026
Column Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese Cinema Sree May 3, 2026May 4, 2026
Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
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ColumnBeyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010)January 29, 2026 Sohini Dasgupta
ColumnWhy “The Hitchhiker’s Guide to the Galaxy” Is an Unlikely Comfort Movie?January 23, 2026 Oleksandra Kolosovska
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ColumnSartorial Storytelling and Bacchanalian Rites: Intertextuality and Social Stratification in Luhrmann’s ‘The Great Gatsby’January 16, 2026 Vasundhara Parashar
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ColumnDays and Nights of Love and War: “Ikkis” is the Warm Hug This Country NeedsJanuary 8, 2026 Soumalya Chatterjee
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ColumnThe Performance of Toiletry: Two Bollywood Female Protagonists and Self-ExpressionJanuary 7, 2026 Ahendrila Goswami
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ColumnTransmuting Financial Ruin and Forbidden Love into Plays Fit for a Queen in ‘Shakespeare in Love’ (1998)January 3, 2026 Vasundhara Parashar
ColumnHow Justin Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma December 29, 2025 Christopher Rhoten
Essay The Messianic Call to Raw Being: A Cross-Cultural Reading of Pier Paolo Pasolini’s ‘Teorema’ (‘Theorem,’ 1968) and C.P. Padmakumar’s ‘Sammohanam’ (‘Enchantment,’ 1994) Jubin Abraham March 14, 2026
Essay The Politics of Love in a Metropolitan Cityscape through Montu Pilot (TV Series 2019) Bipasha Bhattacharyya March 11, 2026
Column Wuthering Heights on Film: How Adaptations Repeatedly Lose the Dark Heart of Emily Brontë’s Novel Shivangi Thakur March 10, 2026
Essay Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’ Bipasha Bhattacharyya March 2, 2026
Article Bridgerton Season 4 Ending Twist: Is the New Lady Whistledown a Bigger Mystery Than the Seven Kingdoms? Khushi Verma March 2, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya March 1, 2026
