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Column The Physics of Grief in Clint Bentley’s ‘Train Dreams’ Ben Bogdan November 21, 2025November 24, 2025
Column Creating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake” Ahendrila Goswami November 20, 2025November 23, 2025
Column The Existential Horror Hidden in Eternity’s Rom-Com Glow Christopher Rhoten December 3, 2025December 3, 2025
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Column Blood in Eden: The Ideological Origins of Ryan Coogler’s ‘Sinners’ Dan Flattery December 1, 2025December 2, 2025
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ColumnConfluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
ColumnOur Girlhood Deserves Better Than ‘The Summer I Turned Pretty’September 14, 2025 Prerna Chatterjee
ColumnLost and Found: Revisiting ‘Kismet’ and the Roots of Indian Social MelodramaSeptember 14, 2025 Manas Banik
ColumnIn ‘Lokah,’ Malayalam Cinema Finally Lets a Woman Wear the Cape September 12, 2025 Akhila Krishnan
ColumnThe North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural MisstepsSeptember 6, 2025 Santosh Kumar Mamgain
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Essay Paul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic Picture Hector Levya June 9, 2025
Essay The Avenging Woman: The Politics and Aesthetics of Female Rage in Rape-Revenge Cinema Anju Devadas October 29, 2025
Essay Unpacking ‘A Minecraft’ Movie: Nostalgia, the Sad State of Modern Blockbusters and Corporate Consolidation Shivam Pota May 6, 2025
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