What The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas March 23, 2026 Sree
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘If I Had Legs I’d Kick You’ and the Loneliness of Being a Mother Prapti Alam March 17, 2026March 19, 2026
Column A Žižekian Reading of ‘Assi’: Rape, Spectacle and Systemic Violence in Contemporary India Soumalya Chatterjee March 17, 2026March 19, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Column Treasure Planet, or the Refusal to Give Up on the Lost Guilherme Quireza March 26, 2026March 26, 2026
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
ColumnTransmuting Financial Ruin and Forbidden Love into Plays Fit for a Queen in ‘Shakespeare in Love’ (1998)January 3, 2026 Vasundhara Parashar
ColumnHow Justin Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma December 29, 2025 Christopher Rhoten
ColumnExploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023)December 25, 2025 Tara Mathur
ColumnThe Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’December 24, 2025 Kabir Deb
ColumnWhen Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated FilmsDecember 21, 2025 Santosh Kumar Mamgain
EssayWhere Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’December 20, 2025 Nileena Sunil
Column · Netflix · Streaming NowThe Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’December 18, 2025 Akash Deshpande
Column‘Sentimental Value’ and Art’s Interjection into Life as a Mode of CatharsisDecember 18, 2025 Akash Deshpande
ColumnBeyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ December 12, 2025 Shefali Khan
EssayHarmony as Auteurism: Understanding the Impact of Director-Composer Collaborations December 12, 2025 Eshiv Garg
ColumnShared Guilt and Divergent Fates: Why ‘Dies Irae’ Feels Like Psycho’s Distant Cousin December 11, 2025 Gourab Saha
ColumnFrankenstein Reborn: Del Toro’s Gothic Dream of Sight, Soul, and Salvation December 11, 2025 Shivani Muralikrishna
Article · ColumnHollywood Audiences are Done with Capes and are Hungry for CharacterDecember 10, 2025 Kay A. Oliver
Column Why Social Strategy Now Makes or Breaks Opening Weekend – How Social Media Became Hollywood’s Secret Weapon Kay A. Oliver February 24, 2026
Column How the Noir Detective Changed Through the 20th Century: The Erosion of Masculine Control in Film Noir Ben Brewster February 19, 2026
Column From Tbilisi to Seoul: Why Korean Cinema Feels Familiar to a Georgian Filmmaker Medea Tchelidze February 19, 2026
Column Who Creates the Monster? Psycho, Cairo Station, and the Violence We Refuse to See Masa Awartani February 14, 2026
Column Comfort That Tells the Truth: Community’s Metafiction and Why Greendale Still Matters Ethan Law February 14, 2026
Column The Death of the Opening Weekend: What Actually Defines Success in Film Now Kay A. Oliver February 12, 2026
Column This is Not a Review: Thinking about Storytelling in Assamese Cinema through ‘Joubone Amoni Kore 2’ and ‘Heruwa Chanda’ Sanjib Kalita February 10, 2026
