Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
ColumnDehumanization, Fear, and Power: Unpacking Xenophobia in Scorsese’s ‘Gangs of New York’ October 14, 2025 Subhankar Das
ColumnWho Owns Nature? ‘Jugnuma’ and the Politics of Ecological MemoryOctober 9, 2025 Prerna Chatterjee
ColumnBetween Surnames and Silences: The Unflinching World of Neeraj Ghaywan’s ‘Homebound’ (2025)October 4, 2025 Rhea Raj Shinde
ColumnThe Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global OrderOctober 3, 2025 Aryan Vyas
EssaySummer of Superman: How James Gunn’s ‘Superman’ (2025) Reminds Us of The Man of Tomorrow’s PowerOctober 2, 2025 Ollie Wheaton
ColumnA Humanistic Mirror to India’s Fault Lines: Neeraj Ghaywan’s ‘Homebound’October 2, 2025 Shivani Muralikrishna
ColumnHow Did Zubeen Garg Become the Heartbeat of Our GenerationSeptember 26, 2025 Kalpa Jyoti Bhuyan
Column‘No Smoking’ and the Politics of Control: Anurag Kashyap’s Unheeded Prophecy September 24, 2025 Soumyajyoti Kar
ColumnA Tribute To Robert Redford: An Icon Of Decency, Compassion, and Service Who Offered An Optimistic Future for HollywoodSeptember 17, 2025 Liam Gaughan
ColumnThe Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and CultureSeptember 14, 2025 Naveed Zahir
Column ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 24, 2025
Article Better Than a ‘Hot Priest’: Why Josh O’Connor’s Flawed, Cursing Clergyman is a Radical Political Statement Naveed Zahir December 23, 2025
Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 21, 2025
Essay Harmony as Auteurism: Understanding the Impact of Director-Composer Collaborations Eshiv Garg December 21, 2025
Column Shared Guilt and Divergent Fates: Why ‘Dies Irae’ Feels Like Psycho’s Distant Cousin Gourab Saha December 21, 2025
Column Frankenstein Reborn: Del Toro’s Gothic Dream of Sight, Soul, and Salvation Shivani Muralikrishna December 21, 2025
Article · Column Hollywood Audiences are Done with Capes and are Hungry for Character Kay A. Oliver December 19, 2025
Essay Swords Too Have Blunt Sides: A Critical Essay On The Portrayal And Acceptance Of Antagonists In ‘Game Of Thrones’ Kabir Deb December 19, 2025
Essay You Talkin’ to Me? How Taxi Driver’s Travis Bickle Holds up a Mirror to Who We Are Adam Page December 19, 2025