When Violence Becomes the Hero: Inside Indiaโs New Wave of Adult-Rated FilmsDecember 21, 2025 Santosh Kumar Mamgain
Where Monsters Become Human: Identity and Otherness in โNimonaโ and โK-Pop Demon HuntersโDecember 20, 2025 Nileena Sunil
The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’December 18, 2025 Akash Deshpande
โSentimental Valueโ and Artโs Interjection into Life as a Mode of CatharsisDecember 18, 2025 Akash Deshpande
Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of โTaste of Cherryโย Shefali Khan December 12, 2025December 21, 2025
Essay Harmony as Auteurism: Understanding the Impact of Director-Composer Collaborationsย Eshiv Garg December 12, 2025December 21, 2025
Column Shared Guilt and Divergent Fates: Why ‘Dies Irae’ Feels Like Psychoโs Distant Cousinย Gourab Saha December 11, 2025December 21, 2025
Column When Violence Becomes the Hero: Inside Indiaโs New Wave of Adult-Rated Films Santosh Kumar Mamgain December 21, 2025December 21, 2025
Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 18, 2025December 21, 2025
Column · Featured โSentimental Valueโ and Artโs Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025December 18, 2025
ColumnWeapons of the American Dream: How Zach Creggerโs Weapons (2025) Reflects Todayโs RealityAugust 13, 2025 Deepshikha Deb
ColumnFrom Muddy Skirts to Clenched Hands: 20 Years of โPride & Prejudiceโ (2005)August 7, 2025 Sree
ColumnCinema through the Lens of ‘Breathless’ (1960): Girls, Guns, and the Ghosts of Parisย August 7, 2025 Naman Kumar
ColumnThe Return of โChaotic Womenโ in Indian Independent Cinemaย August 6, 2025 Bipasha Bhattacharyya
EssayThe Rajinikanth Effect: How Thalaivarโs Meteoric Charm Forged A Cultural PhenomenonAugust 5, 2025 Anju Devadas
ColumnThe Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the FutureAugust 3, 2025 Santosh Kumar Mamgain
EssayBeyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-edaโs Cinemaย July 31, 2025 Anju Devadas
ColumnWhy do all the Contemporary Villains Sound Like They’ve Read Camus?ย July 30, 2025 Bipasha Bhattacharyya
ColumnThe Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindanโs Pokkuveyil (1982, Twilight)July 30, 2025 Rugmini Dinu
EssayHaunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindanโs โChidambaramโ (1985)July 28, 2025 Anju Devadas
ColumnThe Horror of the Unseen: How the 1999 Movie โThe Blair Witch Projectโ Redefined FearJuly 24, 2025 Em Stonham
ColumnThrough the Lens of Love and Longing: Revisiting Kieลlowskiโs โA Short Film About LoveโJuly 21, 2025 Rugmini Dinu
Essay Anatomy of a Fall: Confronting Ethics as a Consequence of a Decision-Making Avantika Tewari September 16, 2024
Essay The Open Ending of Masaan: Subversive, Unconventional, Endless Shreya Chauhan September 9, 2024
High On Films
