Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Article · Review Gabbeh [1996] Analysis: Glimpses into a lyrical divinity Srimayee Gangopadhyay August 7, 2022
Essay The Problematic Representation of Dalits in Bollywood’s “Essential” Films Aryan Vyas August 4, 2022
Essay Exploring the Staircase as the Protagonist in The Spiral Staircase (1946) Ahendrila Goswami February 17, 2024
Article · Essay A Brief History of the Struggles of Blacks in Cinema Balachandran Chirammal July 20, 2022
Article · Explainer Jacob’s Ladder Movie Explained: Ending & Themes Analysed Georgia May July 30, 2023