Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · IFFI · Review Pescador (2025) ‘IFFI’ Movie Review: A Meditative and Magical Tale Set on the Coasts and Jungles of Costa Rica Shivam Pota December 13, 2025December 16, 2025
Film Festivals · Review Flophouse America (2025) ‘DOC NYC’ Documentary Review: An Unfiltered Visceral Look into America’s Housing Crisis Akash Deshpande December 6, 2025December 17, 2025
Film Festivals · Review My Mother’s Wedding (2023) ‘WIFF’ Movie Review: A Great Actress Makes an Enjoyable Directorial Debut Andrew Kidd November 30, 2025December 1, 2025
Featured · Film Festivals · Review Arrest the Midwife (2025) ‘DOC NYC’ Documentary Review: A Critical but Moving Illustration of Present-Day Threats to Reproductive Rights Akash Deshpande November 28, 2025December 1, 2025
Featured · Film Festivals · IFFI · Review Atropia (2025) ‘IFFI’ Movie Review: A Sharp Premise Undone by a Wandering Narrative Utsha Sarkar November 24, 2025November 25, 2025
Featured · Film Festivals · IFFI · Review Woman and Child (2025) ‘IFFI’ Movie Review: A Mother’s Love and Anguish Over Lost Child and Navigating Pain Utsha Sarkar November 24, 2025November 25, 2025
Explainer · Netflix · Review · Streaming NowA Time For Bravery (2025) Movie Review & Ending Explained: Do Mariano and Diaz Expose the NIA Mastermind?December 21, 2025 Debanjan Dhar
Featured · ReviewThe Piano Accident (2025) Movie Review: A Razor-Sharp Satire about Fame in the Age of Social MediaDecember 21, 2025 Akash Deshpande
Featured · ReviewThe Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological CrisesDecember 21, 2025 Akash Deshpande
A Time For Bravery (2025) Movie Review & Ending Explained: Do Mariano and Diaz Expose the NIA Mastermind?
The Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological Crises
Avatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative Bankruptcy
Review The Man Who Stole the Sun [1979] Review – A Singular & Highly Ambitious Black Comedy Arun Kumar July 29, 2021
Netflix · Review Katla (2021-) Netflix Review – A Nordic Slow-Burner with a Mix of Folktale and Science Fantasy Arun Kumar July 15, 2021
Cannes · Film Festivals · Review Aya [2021]: ‘Cannes’ Review – A Gentle Coming-of-Age film about Being A Woman and loving your Roots Shashwat Sisodiya August 11, 2021
Review Hyenas [1992] Review – A Vibrant Allegory on Neocolonialism and Materialism Arun Kumar July 19, 2021
Review Every Single Someone [2021] Review: Quasi-Documentary Style Fictional Story Explores The Ramification of Violence with Implausible Results Shikhar Verma July 12, 2021
Cannes · Film Festivals · Review H6 [2021]: ‘Cannes’ Review – A Deeply Heartfelt Documentary about Hope and Healthcare Shashwat Sisodiya July 13, 2021
Review Blank Shores (2021) Review: A Serviceable Sci-Fi Short Which Should Have Been So Much More Shashwat Sisodiya July 7, 2021
Films This Week · Review Till Death [2021] Review – An insipid film devoid of any tension Amartya Acharya July 2, 2021
Review Touch [2021] Review – Cultural tension arise in sensual, flawed directorial debut Shikhar Verma September 1, 2021
![The Man Who Stole the Sun [1979] Review – A Singular & Highly Ambitious Black Comedy](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/The-Man-Who-Stole-the-Sun-1979-768x432.jpg)
![Aya [2021]: ‘Cannes’ Review – A Gentle Coming-of-Age film about Being A Woman and loving your Roots](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/AYA-coconut.jpg)
![Hyenas [1992] Review – A Vibrant Allegory on Neocolonialism and Materialism](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/Hyenas-1992-768x432.jpg)
![Every Single Someone [2021] Review: Quasi-Documentary Style Fictional Story Explores The Ramification of Violence with Implausible Results](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/Every-Single-Someone-3-highonfilms-768x576.jpg)
![H6 [2021]: ‘Cannes’ Review – A Deeply Heartfelt Documentary about Hope and Healthcare](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/h6-cannes-768x415.jpeg)
![Till Death [2021] Review – An insipid film devoid of any tension](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/06/Till-Death-1-highonfilms-768x525.jpg)
![Touch [2021] Review – Cultural tension arise in sensual, flawed directorial debut](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/Touch-1-highonfilms-768x325.jpg)
High On Films
