Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 29, 2025
Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 29, 2025
Featured · ReviewPredator: Badlands (2025) Movie Review: After Three Attempts Dan Trachtenberg Finally Locks on the Scent of a Decent HuntNovember 6, 2025 Julian Malandruccolo
Featured · ReviewPistachio Wars (2025) Documentary Review: A haunting investigation into America’s corporate greed that’s busy commodifying life itselfNovember 5, 2025 Shikhar Verma
Featured · ReviewLittle Amélie or the Character of Rain (2025) Movie Review: An Unabashedly Sentimental and Imaginative Look At The Dawn of ChildhoodNovember 5, 2025 Liam Gaughan
Predator: Badlands (2025) Movie Review: After Three Attempts Dan Trachtenberg Finally Locks on the Scent of a Decent Hunt
Pistachio Wars (2025) Documentary Review: A haunting investigation into America’s corporate greed that’s busy commodifying life itself
Little Amélie or the Character of Rain (2025) Movie Review: An Unabashedly Sentimental and Imaginative Look At The Dawn of Childhood
Lasting Moments (2025) Movie Review & Ending Explained: An Emotional Exploration of ‘In Sickness and In Health’ or Just a Flawed Fairy-tale?
Great Films · Review A Fugitive from the Past [1965] Review – Probing the Postwar Devastation of Japan through Thriller Framework Arun Kumar August 20, 2024
Review Parallax [2020] Review: A Film Occupied with its Intention but Stumbling in its Execution Ashwani Kumar July 13, 2020
Great Films · Review Sun in the Last Days of the Shogunate [1957] Review – Blending Madcap Comedy and Social Commentary Arun Kumar August 20, 2024
Review Pride (2014) ‘Review: Refreshing and Constantly Cheerful Dose of Solidarity Akash Deshpande July 18, 2020
Netflix · Review Mucho Mucho Amor (2020) Netflix Review – A Familiar and Emotional Study of a Myth João Victor Montuori July 11, 2020
Great Films · Review Fires on the Plain [1959] Review – A Potently Realistic Vision of War’s Devastating Impact on the Human Soul Arun Kumar July 17, 2020
Review In The Mood For Love (2000): Masterful Storytelling Using Colors Mehar Malhotra April 24, 2025
Review Daddy Longlegs [2009] Review: The Most Personal Safdie Brothers Films Akash Deshpande February 10, 2024
Prime Video · Review Sufiyum Sujatayum [2020]: ‘Prime Video’ Review: A Romance, More Frustrating than Mesmerizing Akash Deshpande February 24, 2021
![A Fugitive from the Past [1965] Review – Probing the Postwar Devastation of Japan through Thriller Framework](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/07/A-Fugitive-from-the-Past-1965-768x495.jpg)
![Parallax [2020] Review: A Film Occupied with its Intention but Stumbling in its Execution](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/07/Parallax-Movie-Review-2020-hof-768x432.png)
![Sun in the Last Days of the Shogunate [1957] Review – Blending Madcap Comedy and Social Commentary](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/07/Sun-in-the-Last-Days-of-the-Shogunate-1957-768x432.jpg)
![Fires on the Plain [1959] Review – A Potently Realistic Vision of War’s Devastating Impact on the Human Soul](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/07/Fires-on-the-Plain-1959-768x537.jpg)
![Daddy Longlegs [2009] Review: The Most Personal Safdie Brothers Films](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/07/EB20100609REVIEWS100609977AR-768x432.jpg)
![Sufiyum Sujatayum [2020]: ‘Prime Video’ Review: A Romance, More Frustrating than Mesmerizing](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/07/Sufiyum_Sujatayum_cover-768x360.jpg)
High On Films
