Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · IFFI · Review Pescador (2025) ‘IFFI’ Movie Review: A Meditative and Magical Tale Set on the Coasts and Jungles of Costa Rica Shivam Pota December 13, 2025December 16, 2025
Film Festivals · Review Flophouse America (2025) ‘DOC NYC’ Documentary Review: An Unfiltered Visceral Look into America’s Housing Crisis Akash Deshpande December 6, 2025December 17, 2025
Film Festivals · Review My Mother’s Wedding (2023) ‘WIFF’ Movie Review: A Great Actress Makes an Enjoyable Directorial Debut Andrew Kidd November 30, 2025December 1, 2025
Featured · Film Festivals · Review Arrest the Midwife (2025) ‘DOC NYC’ Documentary Review: A Critical but Moving Illustration of Present-Day Threats to Reproductive Rights Akash Deshpande November 28, 2025December 1, 2025
Featured · Film Festivals · IFFI · Review Atropia (2025) ‘IFFI’ Movie Review: A Sharp Premise Undone by a Wandering Narrative Utsha Sarkar November 24, 2025November 25, 2025
Featured · Film Festivals · IFFI · Review Woman and Child (2025) ‘IFFI’ Movie Review: A Mother’s Love and Anguish Over Lost Child and Navigating Pain Utsha Sarkar November 24, 2025November 25, 2025
Featured · ReviewAvatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative BankruptcyDecember 19, 2025 Julian Malandruccolo
Featured · ReviewIt Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential HorrorDecember 18, 2025 Harihara Srinivasan.G
Featured · Netflix · Review · Streaming NowThe New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary GiantDecember 18, 2025 Monish Upadhyay
Avatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative Bankruptcy
The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant
I Swear (2025) Movie Review: A Thoughtful and Palpable Exploration of the Depths of Shame Buoyed by Bouts of Humor
Review Sertania [2020] ´CIFF´ Review – A Symbolic and Experimental Western João Victor Montuori February 24, 2021
Review The Invisible Man [2020] Review: A Timely Spin on a Classic Source Sumit Singh October 17, 2020
Review Sister Tempest (2020) Review: A Sumptuous, Overwhelming Feast For The Senses Santanu Das July 10, 2024
BFI London Film Festival · Film Festivals · Review Mangrove [2020]: ‘BFI-LFF’ Review – A poignant and overlooked account directed with style Freddie Kay October 16, 2020
MUBI · Review Amodini [1994] MUBI Review: Visual Elegance complimented by Scathing Social Commentary Shashwat Sisodiya May 8, 2021
MUBI · Review Padatik [1973] Mubi Review – The Solitude of a Young Revolutionary Arun Kumar October 16, 2020
Review Time of Moulting [2020]: ‘Nightstream’ Review – A slow burn mood piece too prescient for its own good. Amartya Acharya February 24, 2021
Film Festivals · Review · TIFF Gaza Mon Amour [2020]: ‘TIFF’ Review – A unconventionally charming romance amidst police discourse Shikhar Verma October 13, 2020
Review The Wind that Shakes the Barley [2006] Review – A Bereaved Account of a Nation’s Uprising Arun Kumar November 10, 2020
![Sertania [2020] ´CIFF´ Review – A Symbolic and Experimental Western](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/10/Sertania-1-higonfilms-768x269.jpg)
![The Invisible Man [2020] Review: A Timely Spin on a Classic Source](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/10/the-invisible-man-screenshot-3-768x432.jpg)
![Mangrove [2020]: ‘BFI-LFF’ Review – A poignant and overlooked account directed with style](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/10/Mangrove-2-highonfilms-768x479.png)
![Amodini [1994] MUBI Review: Visual Elegance complimented by Scathing Social Commentary](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/10/Amodini-highonfilms-768x413.png)
![Padatik [1973] Mubi Review – The Solitude of a Young Revolutionary](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/10/Padatik-1973-768x479.jpg)
![Time of Moulting [2020]: ‘Nightstream’ Review – A slow burn mood piece too prescient for its own good.](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/10/Time-of-Moulting-highonfilms-768x432.jpg)
![Gaza Mon Amour [2020]: ‘TIFF’ Review – A unconventionally charming romance amidst police discourse](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/10/Gaza-Mon-Amour-highonfilms-768x384.jpg)
![The Wind that Shakes the Barley [2006] Review – A Bereaved Account of a Nation’s Uprising](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/10/The-Wind-that-Shakes-the-Barley-2006-768x512.jpg)
High On Films
