Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025 Featured · Review It Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential Horror Harihara Srinivasan.G December 18, 2025 Featured · Netflix · Review · Streaming Now The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant Monish Upadhyay December 18, 2025 Evergreen Lists See More… 10 Best Tamil Movies of 2025December 18, 2025 Arun KumarThe 9 Best Adam Sandler MoviesDecember 18, 2025 Liam GaughanEvery Rian Johnson Film (including ‘Wake Up Dead Man’) Ranked Worst To BestDecember 18, 2025 Liam Gaughan Reviews See More… Featured · Review It Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential Horror Harihara Srinivasan.G December 18, 2025 Featured · Netflix · Review · Streaming Now The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant Monish Upadhyay December 18, 2025 Featured · Review I Swear (2025) Movie Review: A Thoughtful and Palpable Exploration of the Depths of Shame Buoyed by Bouts of Humor Akash Deshpande December 18, 2025 Featured · Review Boys Go to Jupiter (2025) Movie Review: A Weird Little Charmer that Encapsulates Present-Day Anxieties about Capitalism Akash Deshpande December 18, 2025 Review · Streaming Now · Zee5 Global Saali Mohabbat (2025) Review: Another Disappointment Wrapped in Domestic Noir Soumalya Chatterjee December 17, 2025 Featured · Review The Housemaid (2025) Movie Review: A Camp Thriller Falls Uncomfortably Between Satire and Melodrama Liam Gaughan December 4, 2025 Essays See More… Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 18, 2025 Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025 Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 12, 2025 All Posts Berlinale · Film Festivals · ReviewCensor [2021]: ‘Berlinale’ Review – An uneven homage to video-nasty and the aftermath of violent proceedingsRead More Censor [2021]: ‘Berlinale’ Review – An uneven homage to video-nasty and the aftermath of violent proceedingsArticle · EssayThe Question of Sex, Lies and Videotape (1989)Read More The Question of Sex, Lies and Videotape (1989)Film Festivals · ReviewJoyful Mystery [2021]: ‘IFFK’ Review – A Moving Romantic Comedy About the Culture of QuarrelsRead More Joyful Mystery [2021]: ‘IFFK’ Review – A Moving Romantic Comedy About the Culture of QuarrelsArticle · Essay‘Ad Astra’ is a sci-fi odyssey about Inter-Galactic Daddy IssuesRead More ‘Ad Astra’ is a sci-fi odyssey about Inter-Galactic Daddy IssuesBerlinale · Film Festivals · ReviewDrift Away [2021]: ‘Berlinale’ Review – Unfocused Police drama explores male identityRead More Drift Away [2021]: ‘Berlinale’ Review – Unfocused Police drama explores male identityGreat Films · ReviewKin-dza-dza! [1986] Review – An Extremely Amusing Soviet Sci-Fi Cult ClassicRead More Kin-dza-dza! [1986] Review – An Extremely Amusing Soviet Sci-Fi Cult ClassicFilms This Week · Netflix · ReviewMoxie [2021] Netflix Review: A Daring Reinterpretation of Punk FeminismRead More Moxie [2021] Netflix Review: A Daring Reinterpretation of Punk FeminismNetflix · Review‘I Care A Lot’ Juggles Satire, Slapstick And A Feminist Anti-HeroRead More ‘I Care A Lot’ Juggles Satire, Slapstick And A Feminist Anti-HeroBerlinale · Film Festivals · ReviewWheel of Fortune and Fantasy [2021]: ‘Berlinale’ Review – A Gorgeous Trifecta About the Conversations that Bind UsRead More Wheel of Fortune and Fantasy [2021]: ‘Berlinale’ Review – A Gorgeous Trifecta About the Conversations that Bind UsBerlinale · Film Festivals · ReviewBloodsuckers [2021]: ‘Berlinale’ Review – Marxist Vampire Comedy moves from being a biting satire to a sluggish trystRead More Bloodsuckers [2021]: ‘Berlinale’ Review – Marxist Vampire Comedy moves from being a biting satire to a sluggish tryst Posts pagination Previous Page 1 … 1,106 1,107 1,108 1,109 1,110 1,111 1,112 … 1,304 Next Page Categories ReviewsEvergreen ListNewsStreamingFilm FestivalColumn Follow Us Instagram LinkedIn X Facebook YouTube Spotify Pinterest
Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025
Featured · Review It Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential Horror Harihara Srinivasan.G December 18, 2025
Featured · Netflix · Review · Streaming Now The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant Monish Upadhyay December 18, 2025
Every Rian Johnson Film (including ‘Wake Up Dead Man’) Ranked Worst To BestDecember 18, 2025 Liam Gaughan
Featured · Review It Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential Horror Harihara Srinivasan.G December 18, 2025
Featured · Netflix · Review · Streaming Now The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant Monish Upadhyay December 18, 2025
Featured · Review I Swear (2025) Movie Review: A Thoughtful and Palpable Exploration of the Depths of Shame Buoyed by Bouts of Humor Akash Deshpande December 18, 2025
Featured · Review Boys Go to Jupiter (2025) Movie Review: A Weird Little Charmer that Encapsulates Present-Day Anxieties about Capitalism Akash Deshpande December 18, 2025
Review · Streaming Now · Zee5 Global Saali Mohabbat (2025) Review: Another Disappointment Wrapped in Domestic Noir Soumalya Chatterjee December 17, 2025
Featured · Review The Housemaid (2025) Movie Review: A Camp Thriller Falls Uncomfortably Between Satire and Melodrama Liam Gaughan December 4, 2025
Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 18, 2025
Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025
Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 12, 2025
Berlinale · Film Festivals · ReviewCensor [2021]: ‘Berlinale’ Review – An uneven homage to video-nasty and the aftermath of violent proceedingsRead More Censor [2021]: ‘Berlinale’ Review – An uneven homage to video-nasty and the aftermath of violent proceedings
Article · EssayThe Question of Sex, Lies and Videotape (1989)Read More The Question of Sex, Lies and Videotape (1989)
Film Festivals · ReviewJoyful Mystery [2021]: ‘IFFK’ Review – A Moving Romantic Comedy About the Culture of QuarrelsRead More Joyful Mystery [2021]: ‘IFFK’ Review – A Moving Romantic Comedy About the Culture of Quarrels
Article · Essay‘Ad Astra’ is a sci-fi odyssey about Inter-Galactic Daddy IssuesRead More ‘Ad Astra’ is a sci-fi odyssey about Inter-Galactic Daddy Issues
Berlinale · Film Festivals · ReviewDrift Away [2021]: ‘Berlinale’ Review – Unfocused Police drama explores male identityRead More Drift Away [2021]: ‘Berlinale’ Review – Unfocused Police drama explores male identity
Great Films · ReviewKin-dza-dza! [1986] Review – An Extremely Amusing Soviet Sci-Fi Cult ClassicRead More Kin-dza-dza! [1986] Review – An Extremely Amusing Soviet Sci-Fi Cult Classic
Films This Week · Netflix · ReviewMoxie [2021] Netflix Review: A Daring Reinterpretation of Punk FeminismRead More Moxie [2021] Netflix Review: A Daring Reinterpretation of Punk Feminism
Netflix · Review‘I Care A Lot’ Juggles Satire, Slapstick And A Feminist Anti-HeroRead More ‘I Care A Lot’ Juggles Satire, Slapstick And A Feminist Anti-Hero
Berlinale · Film Festivals · ReviewWheel of Fortune and Fantasy [2021]: ‘Berlinale’ Review – A Gorgeous Trifecta About the Conversations that Bind UsRead More Wheel of Fortune and Fantasy [2021]: ‘Berlinale’ Review – A Gorgeous Trifecta About the Conversations that Bind Us
Berlinale · Film Festivals · ReviewBloodsuckers [2021]: ‘Berlinale’ Review – Marxist Vampire Comedy moves from being a biting satire to a sluggish trystRead More Bloodsuckers [2021]: ‘Berlinale’ Review – Marxist Vampire Comedy moves from being a biting satire to a sluggish tryst