Game Night Review [2018]: A Genuinely Fun & Breezy Delight
A fresh, funny & frivolous comedy that turned out way better than I expected it to be, Game Night keeps…
A fresh, funny & frivolous comedy that turned out way better than I expected it to be, Game Night keeps…
Amiko [2018] – A Crazily Effective Low-Budget Coming-of-Age Movie Twenty-year-old Yoko Yamanaka’s independent debut feature Amiko (2018) is as self-conscious…
Blue My Mind [2018] – A Familiar yet Impressive Coming-of-Age Fable The female perspective on growing-up and adolescence has long…
In yet another recent firing of a high-profile member of the entertainment industry, James Gunn has been booted by Disney as director for Guardians of the Galaxy Vol. 3. But this firing seems to be the most egregious, one ravelled up in so many layers, it all feels so precisely orchestrated.
Microhabitat [2018] – A Lively Character Study with an Undercurrent of Deep Melancholy Miso (Esom) from Jeon Go-woon’s impressive debut…
The third & final instalment in John Carpenter’s Apocalypse Trilogy (preceded by The Thing & Prince of Darkness), In the…
The second instalment in John Carpenter’s Apocalypse Trilogy, Prince of Darkness finds the legendary filmmaker blending the elements of quantum…
An interesting journey into the mind of a serial killer that also touches on themes of voyeurism, loneliness, childhood trauma,…
A good horror movie can scare the shit out of audience. But scares only work if the audience is invested in characters. That’s why it is important to create empathy for the characters before you put them in a life-threatening situation. In this article, I discuss some of the techniques that Jennifer Kent uses in The Babadook to create empathy for the characters.