13 Reasons Why [2017]: The importance of reaching out to people
A few days ago I made this post on Facebook, where I casually mocked random things people do just to…
High On Films
A few days ago I made this post on Facebook, where I casually mocked random things people do just to…
The 25 Best Non-English Films – 2016 2016 has been an astounding year for cinephiles. As the dust has settled…
If you know the name Macon Blair it’s probably because you’re a fan of his performances in his buddy Jeremy…
What is the saddest and most beautiful love song you’ve heard? If that song were a film, it would inarguably…
Introduction to The Adult Animated Comedies of the ‘70s and ‘80s: It’s safe to say that a hefty amount of…
Martin Luther King, Jr. once famously said: “Violence begets violence”. While this is certainly true, sometimes violence is a necessity…
Hush is not the kind of film that makes a whole lot of sense. Take the antagonist’s motivations to kill Maggie for instance; its darkly funny to think about it from the audiences perspective. Was he just having fun? Why would he choose to kill random people in the middle of nowhere. He isn’t shown to be psychologically inept, even though he feels and acts so. But director Mike Flanagan, very cleverly keeps the viewers on the edge of their seats by throwing in constants ambiguity all through. Though the don’t form a very strong point, the scribbling on the crossbow does concern you. There are times in the film when you cheer for the girl, Mike ensure to slowly build up Maggie as a badass and he does it so convincingly that you will be scared to death when you see a deaf and mute girl who hs not yet written an ending to her own story; specially when she has 7 of them to choose from!
Back in my childhood, whenever my father came to pick me up from school he used to buy me a…
The actors bring Sorkin’s highly stylized and biting words to vivid life, and it resonates on a human level. Though Fassbender might look miscast in terms of physicality of Steve Jobs, but he combines incandescent aggression with cold calculation, egotistical bully, and control freak Orchestra maestro who knows exactly how to tune his instrument players – be it threatening or manipulating. Michael Fassbender becomes Steve Jobs. By the time credit rolls, it will be difficult to shrug off the dented image of anyone else playing Jobs character with such panache.