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The 10 Best Christmas TV Episodes

The 10 Best Christmas TV Episodes

ByDeloret Imnidian

Christmas is a long cold night that we withstand by engaging ourselves in trivial activities like decorating trees, cooking turkeys and watching TV in the company of friends and family. Sure, it is a season of joy and goodness, but in the festivity of season, we should not forget those seasons of TV series that kept us going rest of the year, the seasons we binge-watched so relentlessly, they became part of our existence.

From Rod Serling to Dan Harmon, many showrunners have created Christmas episodes. While some episodes touch the standard holiday themes others tackle darker side of holidays such as depression and horror of isolation. From a vast array of holiday episodes, I have selected 10 that resonated with me the most. To make the selection process easier I have considered only stand alone episodes (of TV series) that are about Christmas or set in Christmas. Let me know your favorite Christmas TV episode in comments.

The 10 Best Hindi Films Of 2016

The 10 Best Hindi Films Of 2016

ByShikhar Verma

2016 was not particularly a great year for Indian cinema. There weren’t many films that broke new grounds or even those which left a lasting impression. The only positive side of the year was the change in the portrayal of women. Up until last year, there weren’t many films that could be stated as an acute representation of women but 2016 gave way for more freedom of expression and the result was an array of films with strong female characters. While I had issues with Leena Yadav’s Parched, I particularly liked how the women in her film were not just characters but people who are living and breathing or at least trying to live and breathe. Here are 10 Hindi Films that were better than the 100 other films released this year.

Hunger (2009): A compelling, haunting and devastating first feature!

Hunger (2009): A compelling, haunting and devastating first feature!

ByShikhar Verma

The film desperately changes from being mute to immensly loud. For the first 30 odd minutes, the film consequently moves through these disarranged claustrophobic scenes of complete silence followed by insane rage. When the snow-flakes or the filthy walls of the prison cell don’t talk, McQuen resorts to brutality; not because he wishes his audiences to walk-away or hide their faces as they cringe their way through it, but because it creates an emotionally relevant wound into their psyche even when the political status or the war of the Irish Republican Army has nothing to do with them.