The 10 Worst English Language Films of 2016
Worst Films of 2016: Hope you have seen none.
Worst Films of 2016: Hope you have seen none.
10 Overlooked English films of 2016 that needs your love and attention.
‘Krisha’ cleans ‘Turkey’ for dinner. For a plot of a film, how about an old lady in her twilight years…
The film desperately changes from being mute to immensly loud. For the first 30 odd minutes, the film consequently moves through these disarranged claustrophobic scenes of complete silence followed by insane rage. When the snow-flakes or the filthy walls of the prison cell don’t talk, McQuen resorts to brutality; not because he wishes his audiences to walk-away or hide their faces as they cringe their way through it, but because it creates an emotionally relevant wound into their psyche even when the political status or the war of the Irish Republican Army has nothing to do with them.
The Japanese master of modern family dramas, Hirokazu Kore-eda, in the past two decades has created a body of work that gracefully and subtly explores the fascinating private worlds of emotionally vulnerable individuals. Since Kore-eda fleshes out his emotionally complex characters without employing high-strung drama, his works may disappoint those expecting neatly aligned conflicts and respective resolutions.
2015 has been a great year for film junkies, specially for foreign films. Hollywood kept on churning sequels, super-hero films, and midst of commercial films they made few sensible films too . Though Indie films are saving grace for Hollywood, it is Foreign films that I dig the most. They seldom disappoint you. They have variety of films dealing with social, cultural, and political aspects of their native country. It is tad difficult to pick only 20 best Non-English Films from around 100 + Non English films I have seen in 2015. Time has come to buy DVDs and update your watch-list if you are fan of cinema in general. Here is the list of “The 20 Best Non-English Films – 2015”.
Taxi isn’t just a proclamation of Panahi’s boldness and defiance; it is also a nicely coiled allegory and a biting satire on the limitations imposed on him as well as on many fellow Iranians. While “This is Not a Film” (2011) was diffused with an atmosphere of despair and “Closed Curtain” (2013) laced with righteous anger, “Taxi” is enlivened with bursts of optimism and sarcasm (Panahi even smiles a lot in the film).
If Dudeism was a religion, Lebowski would be the GOD dictating rules to the disciples. The term “Dude” has gained such a cult status that Twitterati mourned the fact that Jeff Bridges didn’t start his 2010 Best Actor Oscar acceptance speech with, “The Dude Abides.” The gravity of the emblematic ‘Dudeism’ can only be further testified by the fact that it inspired a novel, The Dude Abides: The Gospel According to the Coen Brothers, by Cathleen Falsani.
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