What a Man Wants starts with one of the most creative and hilarious opening sequences in recent memory. It immediately sets the tone of the film and establishes its themes. We’re introduced…
Tag: 2017
Satan’s Slaves [2018] – An Average Horror Flick with a Creepy Atmosphere Jump scares could be the boon or bane of a horror movie, pertaining to its effective level of use. Poorly…
Teemu Nikki’s Euthanizer is a mélange of many tastes. It starts as a black comedy, and it does remain so at its core; incorporating drama and a bit of revenge saga. The…
The Return [2018]: ‘NYAFF’ Review The Return’s premiere this year at the New York Film Festival – the Korean film’s sixth festival screening in what has turned out to be an immense…
The Looming Storm [2018] – A Slow-Burn Procedural with Potent Social Commentary The rapidly industrialized provincial towns, the anonymity and isolation of the local working population have served as the dangerous…
The Bold, the Corrupt, and the Beautiful [2018]: ‘NYAFF’ Review The upside of The Bold, the Corrupt, and the Beautiful is its feminized central core. While most Asian crime films revolve around gang-wars…