Baaghi 3 [2020] Review- an over-exaggeration of action and annihilation of the nitty-gritty
After watching “Baaghi 3” I was flabbergasted and confused about this thing being called a film. I wondered how I…
Guns Akimbo [2020] Review: A frantically shot lowbrow dark comedy about rampant gamer culture
In what could have been a super-meta occurrence in Jason Lei Howden’s “Guns Akimbo,” the director of a live-stream kill-game…
Haxan [1922] Review – A Bewitchingly Bizarre and Rationalistic Take on the Horrors of Middle Ages
Visionary Danish film stylist and one of the pioneering masters of the silent-era cinema, Benjamin Christensen’s Haxan: Witchcraft Through the…
The 10 Best Adult Animated Shows of the Decade (2010s)
Three decades after The Simpsons changed the game for animated shows for adults, the 2010s were incredibly rich years for…
Frozen 2 [2019] Review – Lacking The Magic
It’s been 6 years since Frozen released and became a cultural phenomenon capturing the zeitgeist in a way so few…
The Trials of Gabriel Fernandez [2020] Netflix Review – A Shocking Case of Child Abuse, Murder and Institutional Negligence
The moral outrage and distress one feels after watching Netflix’s The Trials of Gabriel Fernandez (2020), directed by Brian Knappenberger,…
Guilty [2020] Netflix Review: Challenges the societal hegemony
Guilty (2020) is now streaming on Netflix “Guilty” directed by Ruchi Narain is a Hindi language film. Set in the…
The Woman Who Ran (Domangchin yeoja) [2020] Review – A truly minimalist tribute to the female gaze
It feels like a plague has hit the festival circuit when at least one Hong sang-soo film isn’t playing. 2019…