The Only Son [1936] Review – The Characteristic Ozu Style at its Nascent Stage
The Only Son (‘Hitori musuko’, 1936) was a Japanese master of cinema Yasujiro Ozu’s first talkie. Although Mr. Ozu has…
How Noah Baumbach’s Kicking and Screaming explores Post Academia Tedium and Meaning of Life
Grover (Josh Hamilton) sees an unforeseeable wrench thrown into his plans when his long-standing girlfriend of five years, Jane (Olivia…
Sunshine (2007) Review: Integrating Science and Religion
Sunshine (2007) is available for streaming on YouTube and Google Play. Since the beginning of time, humanity has looked to…
Jeux De Plage [2019] ‘Japan Cuts’ Review : A French breeze on a Japanese Beach
Aimi Natsuto’s 77 minutes long love letter to French Cinema ‘Jeux De Plage’ which translates to beach games in English is…
Euphoria (Season 1) Review: A trippy critique of our relentless and impulsive present
HBO’s 8 episode series ‘Euphoria,’ which aired Season 1 not long after its final (not so well received) season of…
Gotro (2019) Review: A Heartwarming Tale of Brotherhood and Humanity
Childhood memories poured into my mind as scenes from Nandita Roy and Shiboprasad Mukherjee’s Gotro (2019) preached brotherhood and humanity….
Roma (2018): Experiencing Spirituality Through Cinema
Roma (2018) is available for streaming on Netflix In all my time of watching movies, I have found that movies…
Mindhunter (Season 2) Netflix Review – An Immersive and Multi-Layered Crime Series
Very big fonts, impeccably color-coded Fincher-esque moody cityscapes, bureaucratic backscratching, unnerving existential problems, and scene-stealing cameos of fictionalized versions of…