Incendies [2010] : The Horrors Of Revelations.
Within all the earth shattering revelations and horror, there’s a sense of hope in Incendies. This very core of hope makes it a more memorable and essential viewing experience. It tells you to add up all the anger and rage that slowly kills you from within along with the bonds that are a necessity. The final answer, though overtly personal and devastating, still feels relevant. Making Incendies an absorbing and emotional film that deserves accolades…
20th Century Women [2016]: Progressive tale set in the past.
I have an affinity for films which don’t follow the regular narrative story telling pattern of the three acts. As…
Trapped [2017]: A Nail-biting Survival Thriller
Trapped is a ticking time bomb from the moment it starts. The premise of the film is undoubtedly marvelous, the…
Thirst [2009]: Fairy tale of Love and Bloodlust
Reviewed by: Rohitavra Majumdar Park Chan Wook’s Thirst is like the cinematic exploration of how it feels when someone does…
Two for the Money [2005]: Review
Great actors, in most cases, make sure that you have a fairly good time just watching them, even when they…
20th Century Women [2016] : Southern Californian Bliss
The Southern Californian sunshine of 70’s had never felt so liberating and chaotic at the same time. The introduction of punk,…
Trapped [2017]: A compelling survival tale
First thing first, there aren’t many logical flaws in Trapped. While the trailer was intriguing, it did receive lots of…
Dead Man [1995]: The Poetry Of The Sinners.
Jim Jarmusch’s Dead Man is a film of strange beauty. A film where Jarmusch lifts and circles the ‘western’ genre over its own head to construct a psychedelic uproar of gunslingers and poets, of spirits and redeemers and of Americans and Native-Americans. Dead Man deconstructs the very idea of conventional western with it’s deeply rooted metaphors and symbolism. It is a translucent work of existential trauma hidden under the rug of civilisational decay and a…