The 10 Best Adult Animated Shows of the Decade (2010s)
Three decades after The Simpsons changed the game for animated shows for adults, the 2010s were incredibly rich years for…
Frozen 2 [2019] Review – Lacking The Magic
It’s been 6 years since Frozen released and became a cultural phenomenon capturing the zeitgeist in a way so few…
The Trials of Gabriel Fernandez [2020] Netflix Review – A Shocking Case of Child Abuse, Murder and Institutional Negligence
The moral outrage and distress one feels after watching Netflix’s The Trials of Gabriel Fernandez (2020), directed by Brian Knappenberger,…
Guilty [2020] Netflix Review: Challenges the societal hegemony
Guilty (2020) is now streaming on Netflix “Guilty” directed by Ruchi Narain is a Hindi language film. Set in the…
The Woman Who Ran (Domangchin yeoja) [2020] Review – A truly minimalist tribute to the female gaze
It feels like a plague has hit the festival circuit when at least one Hong sang-soo film isn’t playing. 2019…
Ashleel Udyog Mitra Mandal [2020] Review: A Fever Dream that Works Only While It’s High on Fever
‘Ashleel Udyog Mitra Mandal’ (AUMM) is this week’s Marathi-language release. After its premiere in the MAMI film festival in 2018,…
Nanook of the North [1922] Review – A Quasi-Documentary Classic on the Ever-Smiling Eskimo
The complicated legacy of D.W. Griffith’s Birth of a Nation (1915) is very well known to any cinephile: it showcased…
Kesari [2020] Review: An Exquisitely-Shot Yet Middling Sports-Drama
Kesari (2020) gave me the feeling that Gully Boy did back when it was released. It works largely on the…