Arun Kumar is the Chief Editor of High on Films. He is an ardent cinebuff who likes to analyze movies down to their minute details. He believes in the transformative power and the shared-dream experience of cinema. Arun has been a film journalist since 2011.
![The Hit [1984] Review – A Crime Drama with a Unique Existential Spin](https://www.highonfilms.com/wp-content/uploads/2022/01/The-Hit-1984-768x432.jpeg)
![Séance on a Wet Afternoon [1964] Review– A Visually Entrancing and Superbly Written Character Study](https://www.highonfilms.com/wp-content/uploads/2021/10/Seance-on-a-Wet-Afternoon-1964-768x432.jpg)
![Old Henry [2021] Review – A Lean Western that Leans Too Much on Familiar Tropes](https://www.highonfilms.com/wp-content/uploads/2021/09/Old-Henry-2021-768x384.jpg)
![The Noise of Engines [2021] ‘San Sebastian’ Review – A Strangely Fascinating Offbeat Dramedy](https://www.highonfilms.com/wp-content/uploads/2021/09/The-Noise-of-Engines-2021-768x432.jpg)
![Reflection [2021]: ‘Venice’ Review – A Beautifully Shot Microcosmic Tale on Trauma & Violence](https://www.highonfilms.com/wp-content/uploads/2021/09/Reflection-2021-768x320.jpg)
![Once Upon a Time in Calcutta [2021]: ‘Venice’ Review – A Nuanced and Intimate Portrait of Urban Decay and Metamorphosis](https://www.highonfilms.com/wp-content/uploads/2021/09/Once-Upon-A-Time-In-Calcutta-2021-768x432.jpg)
![Otar’s Death [2021] ‘KVIFF’ Review – A Well-Crafted Tale of Frustrated Mothers and Sons](https://www.highonfilms.com/wp-content/uploads/2021/08/Otars-Death-2021-768x335.jpg)
![Roots [2021]: ‘KVIFF’ Review – A Distinctively Minimalist Portrait of Landscape and its People](https://www.highonfilms.com/wp-content/uploads/2021/08/Roots-2021-768x403.jpg)
![A Thousand Fires [2021]: ‘Locarno’ Review – A Bewitchingly Intimate Slice-of-Life Documentary](https://www.highonfilms.com/wp-content/uploads/2021/08/A-Thousand-Fires-2021-768x432.jpg)