Arun Kumar is the Chief Editor of High on Films. He is an ardent cinebuff who likes to analyze movies down to their minute details. He believes in the transformative power and the shared-dream experience of cinema. Arun has been a film journalist since 2011.
![The Dissident [2020] Review – The Pensive and Fury-Inducing Story of a Slain Journalist](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/01/The-Dissident-2020-768x432.jpg)
![Paava Kadhaigal [2020] Netflix – Sinful Filmmaking under the Garb of Hard-Hitting Social Drama](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/01/4-768x427.jpg)
![The Woman Who Ran [2020] Review – Hong Sang-soo’s Typically Subtle and Playfully Knotty Drama](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/01/The-Woman-Who-Ran-2020-768x397.jpg)
![The Ripper [2020] Netflix Review – A Flawed Yet Reasonably Effective True-Crime Docuseries](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/01/The-Ripper-2020-768x432.jpg)
![Night Stalker: The Hunt for a Serial Killer [2021] Netflix Review – A Fairly Engaging Series with an Algorithmic Treatment](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/01/Night-Stalker-2021-768x512.jpg)
![Matewan [1987] Review – A Powerful Look at Labor Issues in Industrial America](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/01/Matewan-1987-768x416.jpg)
![Millennium Actress [2001] Review – An Uncannily Brilliant Journey through Memory](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/12/Millennium-Actress-768x418.jpg)
![Classe Tous Risques [1960] Review– An Emotionally Complex Gangster Drama](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/12/Class-tous-risques-1960-768x477.jpg)
![Thunderheart [1992] Review – A Rare Perceptive Hollywood flick on the Native Americans](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/12/Thunderheart-1992-768x576.jpg)