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High On Films

Arun Kumar

Arun Kumar is the Chief Editor of High on Films. He is an ardent cinebuff who likes to analyze movies down to their minute details. He believes in the transformative power and the shared-dream experience of cinema. Arun has been a film journalist since 2011.
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Hoosiers [1986] Review – Meets the Sports Genre Demands with Grace and Tenderness
Review

Hoosiers [1986] Review – Meets the Sports Genre Demands with Grace and Tenderness

Arun Kumar January 26, 2021

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Stuff and Dough [2001] Review – Fresh Oppurtunities, Same Dead-Ends
Review

Stuff and Dough [2001] Review – Fresh Oppurtunities, Same Dead-Ends

Arun Kumar January 14, 2021

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Naked Childhood [1968] Review – A Candid and Potently Naturalistic Depiction of Damaged Childhood
Review

Naked Childhood [1968] Review – A Candid and Potently Naturalistic Depiction of Damaged Childhood

Arun Kumar December 21, 2020

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Salvador [1986] Review – An Indignant Portrayal of US-backed Brutalities in Central America
Review

Salvador [1986] Review – An Indignant Portrayal of US-backed Brutalities in Central America

Arun Kumar December 17, 2020

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Padatik [1973] Mubi Review – The Solitude of a Young Revolutionary
MUBI · Review

Padatik [1973] Mubi Review – The Solitude of a Young Revolutionary

Arun Kumar October 16, 2020

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The Wind that Shakes the Barley [2006] Review – A Bereaved Account of a Nation’s Uprising
Review

The Wind that Shakes the Barley [2006] Review – A Bereaved Account of a Nation’s Uprising

Arun Kumar November 10, 2020

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The Measure of a Man [2015] Review – A Subtly Affecting Humanist Drama
Review

The Measure of a Man [2015] Review – A Subtly Affecting Humanist Drama

Arun Kumar November 7, 2020

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12 Monkeys [1995] Review – An Intriguing Dystopian Tale by a Masterful Fantasist
Review

12 Monkeys [1995] Review – An Intriguing Dystopian Tale by a Masterful Fantasist

Arun Kumar October 5, 2020

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The Thin Blue Line [1988] Review – A Thought-Provoking and Formally Innovative Documentary
Great Films · Review

The Thin Blue Line [1988] Review – A Thought-Provoking and Formally Innovative Documentary

Arun Kumar October 29, 2020

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  • Film Festivals
    • Cannes
    • Berlinale
    • BFI London Film Festival
    • Fantasia
    • IFFI
    • Locarno
    • DIFF
    • MAMI
    • NYAFF
    • Sundance
    • Sydney Film Festival
    • TIFF
  • Reviews
    • In Theaters
  • Lists
  • Essays
    • Column
    • Interviews
  • Explainers
    • Streaming Now
  • News
  • Write For Us
  • HOF Games
    • High on Films Daily Jigsaw
    • High on Films Weekly Crossword