Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country NeedsJanuary 8, 2026 Soumalya Chatterjee
The Performance of Toiletry: Two Bollywood Female Protagonists and Self-ExpressionJanuary 7, 2026 Ahendrila Goswami
The Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020)January 7, 2026 Krishnanunni Padinjassery
Article · Essay Explained: What exactly is Under the Silver Lake? David Morgan Brown January 6, 2026January 6, 2026
Column Transmuting Financial Ruin and Forbidden Love into Plays Fit for a Queen in ‘Shakespeare in Love’ (1988) Vasundhara Parashar January 3, 2026January 3, 2026
Column Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten December 29, 2025December 30, 2025
Column Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country Needs Soumalya Chatterjee January 8, 2026January 8, 2026
Column Ecofeminism Through an Estranged Marriage in Aparna Sen’s Yugant (1995) Debanjan Dhar January 7, 2026January 7, 2026
Column The Performance of Toiletry: Two Bollywood Female Protagonists and Self-Expression Ahendrila Goswami January 7, 2026January 7, 2026
Article · Essay The Handmaid’s Tale [2017- ]: A Reflection of Both the Past and the Future High on Films May 27, 2021
Article · Essay Contact (1997): Revisiting The Underrated Sci-Fi 24-Years On Priya Singh October 6, 2021
Article · Essay How Haneke plays with the audience expectations in ‘Funny Games’ Shikhar Verma May 24, 2021
Article · Essay Magnolia (1999) : An Epic Melodrama Somewhere Between Ingenuity And Insanity Shahim Sheikh June 2, 2021
Article · Essay How “The 400 Blows” Deviates From Classical Conventions of Narration? High on Films May 20, 2021
Article · Essay The Night Comes For Us (2018): Elevating the Indonesian Extreme Action Genre High on Films May 18, 2021