Featured · Films This Week · Review Kuberaa (2025) Movie Review: Dhanush Shines in This Decent Crime Thriller Drama Ajay Rahul Raja July 7, 2025
Films This Week · Review Sorry, Baby (2025) Movie Review: A Remarkably Personal and Pointed Study Of Trauma and Survival Liam Gaughan July 7, 2025
Featured · Films This Week · Review Sitaare Zameen Par (2025) Movie Review: Aamir Khan’s Latest Film is Political but Lacks the Poetry of its Predecessor Soumalya Chatterjee July 7, 2025
Featured · Film Festivals · Review Splitsville (2025) ‘KVIFF’ Movie Review: A Comedic Proof of Polyamorous Dysfunctions Sofia Topi July 13, 2025July 13, 2025
Featured · Film Festivals · Review Sand City (2025) ‘Karlovy Vary’ Movie Review: Mahde Hasan’s Strange and Beguiling City-Portrait Marks a Visually Arresting Debut Debanjan Dhar July 8, 2025July 11, 2025
Featured · Film Festivals · Review Redlight To Limelight (2025) ‘Sheffield DocFest’ Movie Review: Bipuljit Basu’s Doc Entwines Community And Creative Assertion Debanjan Dhar June 25, 2025July 7, 2025
Featured · Film Festivals · Review Tape (2025) “Raindance Film Festival London” Movie Review: A Hong Kong Reimagination of Linklater’s Indie Classic Ajay Rahul Raja June 22, 2025July 7, 2025
Featured · Film Festivals · Review Our Happy Place (2024) Movie Review: Psychological Horror About a Woman in the Woods Struggles to Flesh Out Its Central Mystery Akash Deshpande June 22, 2025June 27, 2025
Featured · Film Festivals · Review Welded Together (2025) ‘Sheffield DocFest’ Movie Review: A Heart Wrenching Portrait of Resilience Shifts Between Believing and Receding Debanjan Dhar June 20, 2025July 4, 2025
Featured · Film Festivals · ReviewSplitsville (2025) ‘KVIFF’ Movie Review: A Comedic Proof of Polyamorous DysfunctionsJuly 13, 2025 Sofia Topi
Featured · Netflix · Review · Streaming NowAap Jaisa Koi (2025) ‘Netflix’ Movie Review: Generic Story, Stylish StorytellingJuly 11, 2025 Suvo Pyne
Featured · ReviewSuperman (2025) Movie Review: A Joyously Geeky, Albeit Overstuffed Return To Form For DCJuly 9, 2025 Liam Gaughan
Films This Week · Review Joker (2019): Phoenix Soars in a Menacing Origin Story of the Iconic Villain Suvo Pyne October 28, 2019
Film Festivals · MAMI · Review One Child Nation [2019] ‘MAMI’ Review: Excruciating Consequences of Government’s Rule Nafees Ahmed February 23, 2021
Film Festivals · MAMI · Review I Lost My Body [2019] Netflix ‘MAMI’ Review: A leisurely fairy tale with Profound Meanings Reubyn Coutinho February 11, 2021
Film Festivals · Review · TIFF Jojo Rabbit [2019] ‘TIFF’ Review: Hop Along on this Journey Avneesh Mehta February 23, 2021
Film Festivals · MAMI · Review Saand ki Aankh [2019] ‘MAMI’ Review: It largely hits the bullseye Reubyn Coutinho February 23, 2021
Film Festivals · Review · Venice Film Festival Marriage Story (2019) ‘Venice’ review – The Melancholy of Love and the chaos of Divorce through Baumbach’s Lense Arman Fatić February 23, 2021
Cannes · Film Festivals · Review Portrait of a Lady on Fire (2019) Review – The Intimate Charm of an Aristocracy Arman Fatić July 10, 2024
Film Festivals · MAMI · Review The Irishman (2019): MAMI Review – Scorsese’s Return to the Crime Genre is an Epic Cinematic Experience Reubyn Coutinho July 5, 2024
Netflix · Review In the Shadow of the Moon Netflix (2019) Review: Jim Mickle’s Weakest Sumit Singh February 11, 2021