Nobadi [2019]: ‘TIFF’ Review – Questioning our notion of identity
How much part does our identity play in our existence? Is it an absolute dependance or just a trellis on…
Empathy Inc. [2019] Review – An elegant metaphor for the sordid underbelly of mindless materialism
When Netflix released its Choose-Your-Own-Adventure fashioned deranged wonderland of adult video game addicts with Bandersnatch, the notion of virtual reality…
Locked On You Netflix (2019) Review: A Goofy Family Rom-Com
Watch Locked on You on Netflix Released as ‘Locked On You’ on Netflix, Hedefim Sensin is a Turkish language film….
Batman in Cinema: Extremely Black yet Incredibly Colorful
Writing about Batman is a task of great difficulty. You have a plethora of emotions battling with a tremendous amount…
Pompei (Pompéi) [2019]: ‘TIFF’ Review – A Visual-Stunning yet Empty Allegory on Loneliness and Escapism
It is never specified where and when John Shank and Anna Falguères’ ‘Pompei (Pompéi)‘ takes place in. Which is why…
Kabir Singh Netflix [2019] Review – When Super-Man met Snow White in ToxiCity.
Kabir Singh is now streaming on Netflix “I like the way you breathe,” he says, in reply to the object…
How the Burden of Dreams can take man deep into the Heart of Darkness
There’s a fascinating moment towards the end of Les Blank’s sublime 1982 documentary “Burden of Dreams” where Werner Herzog begins…
Metacritic needs to replace Rotten Tomatoes
Rotten Tomatoes amalgamates as many reviews of a film it can muster, ascribing one of either rating (fresh or rotten). Metacritic is literally 50 times better than Rotten Tomatoes, as it has a numerical rating from 0 to 100.