The Age of Blood [2018]: ‘NYAFF’ Review
The Age of Blood [2018]: Dubiety of unanswered questions Before reading here’s a fair cautionary message for all – delving…
Old Beast [2018]: ‘NYAFF’ Review
Old Beast [2018] – The Harsh Predicament of a Flawed Individual and a Dreary Landscape Zhou Ziyang’s impressive debut feature…
The Blood of Wolves [2018] : ‘NYAFF’ Review
As an independent genre within the ambit of Japanese cinema, Yakuza films have undergone massive transformations since the silent film…
Kakekomi (2018): ‘NYAFF’ Review
Kakekomi (2018): A tale of oppression, endurance, and refuge For someone who hasn’t seen much of Japanese Cinema or attended…
We Will Not Die Tonight [2018]: ‘NYAFF’ Review
We Will Not Die Tonight [2018]: ‘NYAFF’ Review After the emergence of the rib-cracking, spine-chilling Indonesian martial-arts film – The…
The Hungry Lion [2018]: ‘NYAFF’ Review
The Hungry Lion [2018]: A chilling take on rumors, fake news, and harassment It’s a modern-day high school that could…
The Third Murder [2018]: ‘NYAFF’ Review
The Third Murder [2018]: An Introspective, Jaded Exploration of the Truth As I sit down to write about Hirokazu Kore-eda’s latest…
The State of Modern Comedies – Solution I: Everything Is Terrible!- Playing Upon Expectations
There appears to be something wrong with comedy films. They are not held in as high esteem as drama films,…