Arun Kumar is the Chief Editor of High on Films. He is a passionate cinephile who delves into films with meticulous attention and a belief in cinema’s transformative, shared-dream power. A film journalist since 2011, he brings depth, clarity, and a sharp analytical voice to his work.
![Fires on the Plain [1959] Review – A Potently Realistic Vision of War’s Devastating Impact on the Human Soul](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/07/Fires-on-the-Plain-1959-768x537.jpg)
![The Thief of Bagdad [1924] Review – A Wildly Entertaining Silent-Era Spectacle](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/06/The-Thief-of-Bagdad-1924-768x432.jpg)
![The Last Laugh [1924] Review – A Visually Ingenious Character-Driven Drama](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/06/The-Last-Laugh-1924-768x577.jpg)
![Never Rarely Sometimes Always [2020] Review – A Quietly Heartbreaking Drama on Abortion Experience](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/04/Never-Rarely-Sometimes-Always-2020-768x332.jpg)
![So Long, My Son (Di Jiu Tian Chan) [2019] Review – An Intricately Plotted and Deeply Emotional Domestic Drama](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/04/So-Long-My-Son-2019-768x390.jpg)
![The Endless Trench [2019] Netflix Review – An Incredible Drama on the Living Ghosts of Francoist Spain](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/04/The-Endless-Trench-2019-768x433.jpg)