Arun Kumar is the Chief Editor of High on Films. He is an ardent cinebuff who likes to analyze movies down to their minute details. He believes in the transformative power and the shared-dream experience of cinema. Arun has been a film journalist since 2011.
![Killing (Zan) [2019]: ‘Japan Cuts’ Review – A Remarkable Reimagining of Samurai Cinema Tropes](https://www.highonfilms.com/wp-content/uploads/2019/07/Killing-2018-768x432.jpg)
![Pale Flower [1964] Review – A Noirish Parable with Striking Imagery](https://www.highonfilms.com/wp-content/uploads/2019/07/Pale-flower-cover-768x432.jpg)
![Ma [2018]: ‘NYAFF’ Review – A Sumptuously Visualized Horror with a Weak Narrative](https://www.highonfilms.com/wp-content/uploads/2019/07/Ma-highonfilms-768x432.jpg)
![Jam [2019]: ‘NYAFF’ Review – A Fairly Enjoyable Collision Course](https://www.highonfilms.com/wp-content/uploads/2019/07/Jam-highonfilms-768x432.jpg)
![Mr Long [2017]: ‘NYAFF’ Review – A Hitman’s Encounter with Human Decency](https://www.highonfilms.com/wp-content/uploads/2019/07/Mr.-Long-2017-768x384.jpg)
![The Cordillera of Dreams [2019]: ‘KVIFF’ Review – A Piercingly Elegiac Documentary on Landscape and Memory](https://www.highonfilms.com/wp-content/uploads/2019/06/The-Cordillera-of-Dreams-Doc-768x401.jpg)
![Loves of a Blonde [1965] Review – When Political Practices Invades Youthful Romantic Impulses](https://www.highonfilms.com/wp-content/uploads/2019/06/lob-cover-768x432.jpg)
![The Edge of Democracy Netflix [2019] Review – A Captivating and Sobering Account of Breakdown of Democracy](https://www.highonfilms.com/wp-content/uploads/2019/06/eod-cover-768x433.jpg)