High On Films

Article · Essay

How Haneke plays with the audience expectations in ‘Funny Games’

Shikhar Verma May 24, 2021

Article · Essay

Magnolia (1999) : An Epic Melodrama Somewhere Between Ingenuity And Insanity

Shahim Sheikh June 2, 2021

Article · Essay

Akaler Sandhane (1980) : A Famine within A Famine

Sayan Dutta February 13, 2022

Article · Essay

How “The 400 Blows” Deviates From Classical Conventions of Narration?

High on Films May 20, 2021

Article · Essay

The Night Comes For Us (2018): Elevating the Indonesian Extreme Action Genre

High on Films May 18, 2021

Article · Essay

Garm Hava [1974]: On the Precipice of Belonging

High on Films May 16, 2021

Article · Essay

Anatomy of: Taxi Driver Scene – “Late for the Sky”

High on Films February 27, 2023

Article · Essay

No Country For Old Men (2007): A Study of Human Duality

Lokesh Ganesan May 14, 2021

Article · Essay

Creating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake”

Ahendrila Goswami May 14, 2021