Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025 Featured · Review It Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential Horror Harihara Srinivasan.G December 18, 2025 Featured · Netflix · Review · Streaming Now The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant Monish Upadhyay December 18, 2025 Evergreen Lists See More… 10 Best Tamil Movies of 2025December 18, 2025 Arun KumarThe 9 Best Adam Sandler MoviesDecember 18, 2025 Liam GaughanEvery Rian Johnson Film (including ‘Wake Up Dead Man’) Ranked Worst To BestDecember 18, 2025 Liam Gaughan Reviews See More… Featured · Review It Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential Horror Harihara Srinivasan.G December 18, 2025 Featured · Netflix · Review · Streaming Now The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant Monish Upadhyay December 18, 2025 Featured · Review I Swear (2025) Movie Review: A Thoughtful and Palpable Exploration of the Depths of Shame Buoyed by Bouts of Humor Akash Deshpande December 18, 2025 Featured · Review Boys Go to Jupiter (2025) Movie Review: A Weird Little Charmer that Encapsulates Present-Day Anxieties about Capitalism Akash Deshpande December 18, 2025 Review · Streaming Now · Zee5 Global Saali Mohabbat (2025) Review: Another Disappointment Wrapped in Domestic Noir Soumalya Chatterjee December 17, 2025 Featured · Review The Housemaid (2025) Movie Review: A Camp Thriller Falls Uncomfortably Between Satire and Melodrama Liam Gaughan December 4, 2025 Essays See More… Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 18, 2025 Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025 Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 12, 2025 All Posts ReviewWho We Are Now Review [2018]: A Hopeful Story mired in DespairRead More Who We Are Now Review [2018]: A Hopeful Story mired in DespairReviewBhavesh Joshi Superhero Review [2018]: Not a Great, but an Important FilmRead More Bhavesh Joshi Superhero Review [2018]: Not a Great, but an Important FilmFilms This WeekSearching Review [2018]: Go Find This Film!Read More Searching Review [2018]: Go Find This Film!Film Festivals · Venice Film FestivalWhy Are We Creative? [2018]: ‘Venice Film Festival’ ReviewRead More Why Are We Creative? [2018]: ‘Venice Film Festival’ ReviewFilm Festivals · NBFFRelaxer [2018]: ‘North Bend Film Fest’ ReviewRead More Relaxer [2018]: ‘North Bend Film Fest’ ReviewReviewMovie Review: Laura Gets a Cat [2018]Read More Movie Review: Laura Gets a Cat [2018]ReviewThe Foul King Review [2000]: Another Winning Effort From Kim Jee-woon & Song Kang-hoRead More The Foul King Review [2000]: Another Winning Effort From Kim Jee-woon & Song Kang-hoReviewThe Quiet Family [1998]: One of South Korean Cinema’s Funniest OfferingsRead More The Quiet Family [1998]: One of South Korean Cinema’s Funniest OfferingsFilm Festivals · LocarnoClosing Time [2018]: ‘Locarno’ ReviewRead More Closing Time [2018]: ‘Locarno’ ReviewReviewHereditary Review [2018]: Horror In All Its Twisted GloryRead More Hereditary Review [2018]: Horror In All Its Twisted Glory Posts pagination Previous Page 1 … 1,220 1,221 1,222 1,223 1,224 1,225 1,226 … 1,304 Next Page Categories ReviewsEvergreen ListNewsStreamingFilm FestivalColumn Follow Us Instagram LinkedIn X Facebook YouTube Spotify Pinterest
Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025
Featured · Review It Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential Horror Harihara Srinivasan.G December 18, 2025
Featured · Netflix · Review · Streaming Now The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant Monish Upadhyay December 18, 2025
Every Rian Johnson Film (including ‘Wake Up Dead Man’) Ranked Worst To BestDecember 18, 2025 Liam Gaughan
Featured · Review It Ends (2025) Movie Review: An Indie Road Thriller that Thrives on Existential Horror Harihara Srinivasan.G December 18, 2025
Featured · Netflix · Review · Streaming Now The New Yorker at 100 (2025) Documentary Review: An Intimate Portrait of a Century-Old Literary Giant Monish Upadhyay December 18, 2025
Featured · Review I Swear (2025) Movie Review: A Thoughtful and Palpable Exploration of the Depths of Shame Buoyed by Bouts of Humor Akash Deshpande December 18, 2025
Featured · Review Boys Go to Jupiter (2025) Movie Review: A Weird Little Charmer that Encapsulates Present-Day Anxieties about Capitalism Akash Deshpande December 18, 2025
Review · Streaming Now · Zee5 Global Saali Mohabbat (2025) Review: Another Disappointment Wrapped in Domestic Noir Soumalya Chatterjee December 17, 2025
Featured · Review The Housemaid (2025) Movie Review: A Camp Thriller Falls Uncomfortably Between Satire and Melodrama Liam Gaughan December 4, 2025
Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 18, 2025
Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025
Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 12, 2025
ReviewWho We Are Now Review [2018]: A Hopeful Story mired in DespairRead More Who We Are Now Review [2018]: A Hopeful Story mired in Despair
ReviewBhavesh Joshi Superhero Review [2018]: Not a Great, but an Important FilmRead More Bhavesh Joshi Superhero Review [2018]: Not a Great, but an Important Film
Films This WeekSearching Review [2018]: Go Find This Film!Read More Searching Review [2018]: Go Find This Film!
Film Festivals · Venice Film FestivalWhy Are We Creative? [2018]: ‘Venice Film Festival’ ReviewRead More Why Are We Creative? [2018]: ‘Venice Film Festival’ Review
Film Festivals · NBFFRelaxer [2018]: ‘North Bend Film Fest’ ReviewRead More Relaxer [2018]: ‘North Bend Film Fest’ Review
ReviewThe Foul King Review [2000]: Another Winning Effort From Kim Jee-woon & Song Kang-hoRead More The Foul King Review [2000]: Another Winning Effort From Kim Jee-woon & Song Kang-ho
ReviewThe Quiet Family [1998]: One of South Korean Cinema’s Funniest OfferingsRead More The Quiet Family [1998]: One of South Korean Cinema’s Funniest Offerings
Film Festivals · LocarnoClosing Time [2018]: ‘Locarno’ ReviewRead More Closing Time [2018]: ‘Locarno’ Review
ReviewHereditary Review [2018]: Horror In All Its Twisted GloryRead More Hereditary Review [2018]: Horror In All Its Twisted Glory
