Arun Kumar is the Chief Editor of High on Films. He is an ardent cinebuff who likes to analyze movies down to their minute details. He believes in the transformative power and the shared-dream experience of cinema. Arun has been a film journalist since 2011.
![The Kid Detective [2020] Review – Sleuthing in a Notably Darker and Self-Aware World](https://www.highonfilms.com/wp-content/uploads/2021/02/The-Kid-Detective-2020-768x512.jpeg)
![Shirley [2020] Review – Portrait of a Literary Icon through a Compelling Biofiction](https://www.highonfilms.com/wp-content/uploads/2021/02/Shirley-2020-768x436.jpg)
![Josep [2020] Review – Portrait of an Artist through Fading Memory](https://www.highonfilms.com/wp-content/uploads/2021/02/Josep-2020-768x425.jpg)
![Saint Maud [2019] Review – An Engrossing Hodgepodge of Catholic Horror Motifs](https://www.highonfilms.com/wp-content/uploads/2021/02/Saint-Maud-2019-768x432.jpg)
![The Art of Political Murder [2020] Review – An Investigative Account of a High-Profile Murder Trial](https://www.highonfilms.com/wp-content/uploads/2021/02/The-Art-of-Political-Murder-2020-768x432.jpg)
![Assassins [2020] Review – The Strange and Captivating True Story of a Political Killing](https://www.highonfilms.com/wp-content/uploads/2021/01/Assassins-2020-768x432.jpg)
![The Dissident [2020] Review – The Pensive and Fury-Inducing Story of a Slain Journalist](https://www.highonfilms.com/wp-content/uploads/2021/01/The-Dissident-2020-768x432.jpg)
![Paava Kadhaigal [2020] Netflix – Sinful Filmmaking under the Garb of Hard-Hitting Social Drama](https://www.highonfilms.com/wp-content/uploads/2021/01/4-768x427.jpg)
![The Woman Who Ran [2020] Review – Hong Sang-soo’s Typically Subtle and Playfully Knotty Drama](https://www.highonfilms.com/wp-content/uploads/2021/01/The-Woman-Who-Ran-2020-768x397.jpg)