Arun Kumar is the Chief Editor of High on Films. He is an ardent cinebuff who likes to analyze movies down to their minute details. He believes in the transformative power and the shared-dream experience of cinema. Arun has been a film journalist since 2011.
![Widow of Silence [2019]: ‘LIFF’ Review – An Arresting and Artfully Restrained Portrayal of Kashmiri Half-widows](https://www.highonfilms.com/wp-content/uploads/2019/06/Widow-of-Silence-2018-768x479.jpg)
![Ice on Fire [2019] Review – A Climate Change Documentary Laced with Hope](https://www.highonfilms.com/wp-content/uploads/2019/06/Ice-on-Fire-2019-768x390.jpg)
![The Wandering Chef [2019] ‘SFF’ Review – A Rich Tribute to Maternal Love and the Remedial Power of Food](https://www.highonfilms.com/wp-content/uploads/2019/06/The-Wandering-Chef-2019-768x432.jpeg)
![Reason (Vivek) [2019]: ‘LIFF’ Review – A Brilliant Discourse on the Pernicious Rise of Religious Extremism in India](https://www.highonfilms.com/wp-content/uploads/2019/06/Reason-highonfilms-768x494.jpg)
![Kattumaram [2019]: ‘LIFF’ Review – A Beautifully Shot yet Superficial Tale of Queer Love](https://www.highonfilms.com/wp-content/uploads/2019/06/Kattumaram-c-768x479.jpg)
![I Am Mother Netflix [2019] Review – A Slick but Underwhelming AI-Themed Thriller](https://www.highonfilms.com/wp-content/uploads/2019/06/I-Am-Mother-Netflix-highonfilms-768x448.jpg)
![My Home India [2019]: ‘LIFF’ Review – An Obscure yet Phenomenal Story of Generosity and Compassion](https://www.highonfilms.com/wp-content/uploads/2019/06/MHI-768x469.jpg)
![Pigs and Battleships [1961] Review – A Probing Portrait of a Marginalized Society](https://www.highonfilms.com/wp-content/uploads/2019/06/P-and-B-768x432.jpg)
![Honeyland [2019]: ‘Sundance’ Review – An Exceptional and Unembellished Tale of a Woman’s Connection with Nature](https://www.highonfilms.com/wp-content/uploads/2019/06/Honeyland-high-on-films-768x513.jpg)