The Best Netflix Original Movies of 2019
Netflix has long since been surrounded by controversy from both the representatives of the film industry and the viewers, with criticism going towards the content. Despite the hurdles though, the giant streaming service managed to stay afloat. In fact, 2018 has been a great year for Netflix, with Alfonso Cuaron’s black-white drama Roma being nominated for the 91st Academy Awards, going on to win in three categories out of the 10 total nominations. Check out our list of the Best Netflix Original Movies of 2018 here. We have yet to see the next movie to attempt this success, and while the “Best Original Movies” list for 2019 isn’t entirely defined yet, we can certainly take a look at the strongest candidates.
In the first half, the original content quality has been mixed. Dan Gilroy’s highly anticipated supernatural thriller Velvet Buzzsaw, satirising artistic creation, and starring Jake Gyllenhaal, is a hollow and superficial mess that has an absurd narrative which only gets funnier as the supernatural element kicks in. Jonas Akerland’s slam-bam action thriller Polar, starring Mads Mikkelsen (popular for his role as Dr Hannibal Lectar in Hannibal) was disappointing as well.
Netflix picked many substandard movies for distribution. The worst would be forgettable and unfunny Romanian sex-comedy Oh, Ramona!. The Korean muddled supernatural thriller-horror Svaha: The Sixth Finger. Phoney throwback to 80s kid drama ‘Rim of the world.’
So far, I found only a handful of the original content movies, to have worked for me. While I have hopes that Netflix will match the success of Roma, Private life and Sunday’s Illness, within their content for the remaining two quarters, I would like to take a look at the movies I have loved so far, from 2019.
Here are the Best Netflix Original Movies of 2019 that I have loved.
The Perfection | Richard Shepard | Psychological Thriller
‘The Perfection” is a curiously paced and ridiculously entertaining psychological thriller. It benefits more from the revelation of the twisted minds at work than it does from the narrative that is manipulative and preposterous. The concealed motive of this partly erotic and partly revenge piece keeps a perpetual tension without giving slack to think over its absurd subplot.
The well-chiselled aesthetics of campy horror and the psychedelic sound design, both add to the thrill. Read the complete review of The Perfection.
Furie | Le Van Kiet | Action
Le Van Kiet, popular for his stylized horror film Ngôi Trong Hėm (The House in the Alley) and “Gentle”, based on Dostoevsky’s literary work, returns to his third project – Furie (Hai Phượng), a hyper-stylized, high octane martial art action film that shares the DNA with Taken (2008). Like Bryan Mills, Hai Phuong (Ngô Thanh Vân) is on a hunt to track down the kidnappers of her 10 years old daughter.
Furie could have been a game changer in the genre of action thrillers revolving around kidnapped children and parent on a trail to get them back. But instead, Le Van Kiet plays it safe with the already tested template and giving it a matriarchal spin that works in its favour. Best suited for the television, Furie could not find better space than Netflix distributing it. Continue reading the review of Furie.
Fyre | Chris Smith | Documentary
Fyre is an embodiment of ideas and lessons. You choose what you want to see, and importantly, learn, from it. It’s a terrific character study of a person that swindles everyone from a young techie to smart investors, with his calm demeanour and charming personality.
He lies even when he is sinking, he is incompetent and an ignorant who makes Bernie Ebbers look mediocre. Even in the moment of failure realization, he won’t own up.
The character is either overconfident about his ability, or a completely insane person. Chris Smith captures the failure quite beautifully, but the lingering horror of financial failure, due to the stubborn attitude of an egomaniac, makes it spooky.
All in my Family | Hao Wu | Documentary
“All In My Family” is an intimate and charming documentary on a subject that would make a good tragic plot. The director and writer Hao Wu is a Chinese born American who left China, as his conservative family and society struggled to understand homosexuality as a normal living state.
Hao Wu isn’t interested in showing the uproar and emotional hassle, and how he recuperated after coming out to his parents, and how his parents embraced him as a gay. Rather, he weaves a delightful, often funny, and moving account of him expanding his family: having surrogate kids and introducing his husband to the family on Chinese New Year.
Knock Down The House | Rachel Lears | Documentary
In what could be the most redefining and inspiring moments, Alexandria Ocasio-Cortez tries to console Democrat candidate Amy Vilela and says, “It’s just the reality that in order for one of us to make it through, hundred of us have to try.”
That is precisely what the whole movement was about: challenging the incumbent Democrats, who have taken their position for granted over the years, and who have played according to the industrialists funding rules.
The challengers seek to make heard the voices of both the working class and the women in general, who have been held as pawns in American Political History, and so the success of this movement would redefine the rules of politics.
Rachel Lears weaves a stimulating and inspiring documentary. She fleshes out the confidence and vulnerability of all four candidates, along with their personal arcs which would connect with everyone, irrespective of political ideology. As AOC said, they were not there to make a statement, they were to win.
High Flying Bird | Steven Soderbergh | Sports Drama
After being fired from ‘Money Ball’, which was a back office sports drama, Steven Soderbergh internalizes Aaron Sorkin’s masterful writing and directs a micro-budget Netflix film on iPhone.
High Flying Bird is a taut, chilling film that moves at a breakneck pace, and keeps the audience in the grip of the unravelling layers, connected in its bigger scheme. After a lockout between the NBA and the athletes, another sort of game is played, outside the field, and it puts the mechanics of player management on display.
The Edge of Democracy | Petra Costa | Documentary
Brazilian documentarian Petra Costa’s complex and cautionary Netflix original documentary, The Edge of Democracy (2019) addresses the imperceptible yet persistent erosion of democracy in her native country. Petra Costa is the maker of two lyrical documentaries (‘Elena’ and ‘Olmo & the Seagull’) which astoundingly blurred the lines between fiction and non-fiction.
While her previous two documentaries are a very intimate portrait of insecure women, with Edge of Democracy she takes a sweeping look at the controversies surrounding Brazil’s contemporary politics. At the same time, Costa also observes how the current paradoxes in Brazilian politics seem to ‘run through her family’, since her parents were radical political activists dissenting against the military dictatorship (1964-1985), whereas her construction firm-owning maternal grandparents were part of the oligarchic system. Read the complete review of The Edge of Democracy Netflix.
Paddleton | Alexandre Lehmann | Comedy Drama
Paddleton, the sophomore feature film of cinematographer turned director, Alexandre Lehmann, is brimming with bittersweet, poignant moments, and a deadpan conversation that carries existential philosophy, as seen through the lens of pessimism.
Like Blue Jay, Paddleton is a two-hander, about Michael (Duplass), and his neighbour Andy (Romano), who lives above him in a shabby pea-size apartment.
Avoiding the sentimentalism the genre tropes, and without spicing up the plot with any major conflict, Paddleton is one of the best Netflix Movies of 2019 that promises a better future for American Indie cinema. Read the complete review of the film – Paddleton .
Soni | Ivan Ayr | Drama
After receiving a standing ovation at the 75th Venice International Film Festival and travelling to several other film festivals, Netflix picked up Soni and distributed it as their Netflix Original Program.
Soni is a micro-budget drama that smartly constructs the narrative around two women police officers, seeking to highlight the deeply rooted patriarchy and insufferable hierarchy that widens the gender gap.
It addresses heavy topics, ranging from gender prejudice and sexual harassment to the power distribution on different levels. Ivan Ayr avoids theatricals and sensationalism, and roots the film in a realistic milieu, further solidified by the two moving, nuanced performances that have already gone unnoticed this year.
Alles ist Gut | Eva Trobisch | Drama
It will be difficult for any other Netflix Original Movie to better ‘Alles Ist Gut’. It is the Best Netflix Original Movies of 2019 so far.
‘Alles ist Gut’ aka ‘All Good’/’All is well’ is artfully restrained, incredibly acted and masterfully edited. In her debut feature film, the film-maker from East Berlin, Eva Trobisch, weaves a mature narrative with a psychological complexity that leaves the audience distressed.
Aenne Schwarz’s performance is nuanced, deftly observed and intricately behaved. She gets into the skin of the character and owns through the movie, right to the incredible and ambiguous close up at the end. Trobisch uses observational language to examine Janne.
Her approach on the complex subject is intimate and elementary, and therefore, it strikes much deeper in the conscience of the audience. Continue reading the complete review of Alles ist Gut.